Amazon.co.uk Review
Hardly anybody--with the notable exception of Irish songstress Mary Black, who subsequently turned out a rather splendid cover version of "Shine" some years later--bought
A Century Ends, David Gray's debut album. Emerging in 1993, at a time when an uncharacteristically contented British public was bending its knees and twanging its braces along to the larksome antics of Britpop, there was little space on the living-room shelf for the torturous boudoir ponderings of a young-but-gnarly Dylan soundalike. There are pretty moments, but this is a record where angst and lust reign supreme--"Debauchery" is a salty tale of having it away on a rug with an alcoholically-lubricated lady ferry boat operative (sung in a voice pitched somewhere between the Waterboy's Mike Scott and celebrated naval fish-finger salesperson Captain Birdseye) while "Lead Me Upstairs" is a courtship tale which dispenses with first-date niceties. Britain later changed its mind about David Gray--after all, more people in the UK own his 1998 album
White Ladder than own a ladder--but
A Century Ends is a surprising rediscovery, a record begging further investigation for anybody whose idea of a good night in involves the solitary rolling of Rizlas along to
Astral Weeks or
Blood on the Tracks.
--Kevin Maidment
CD Description
David Gray's '93 debut marked him as a unique and importantvoice in folk-rock. His emphatic acoustic guitar strum and his Van Morrison-via-Steve Forbert vocal burr are the sonic focus here, but it's Gray's passionate, poetic songs that really take centre stage. Imagine the protagonist of Joyce's PORTRAIT OF THE ARTIST AS A YOUNG MAN picking up guitar and pen, and you'll be on the right track.
Gray's emotive delivery and heartfelt lyricism are full of youthful angst and passion. On "Birds Without Wings" and "Gathering Dust" he recognises the faults of the world around him as well as his personal failings, but on the transcendent, definitive "Shine", he expresses an unquenchable desire to rise above petty cares and find spiritual contentment. It's the battle for thatcontentment that's so expressively documented on A CENTURY ENDS.