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Coleman Tents and Camping
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Track Listings
| 1. Too Early By Far |
| 2. Pi Four |
| 3. Escalator Apartment |
| 4. Plot Lost Sixteen |
| 5. Pi Two |
| 6. My Trouble With Purple |
| 7. Leaving The Building |
| 8. Vocational Shouter |
| 9. Hang Up Season |
| 10. Ballet In A Safety Net |
| 11. Wider Ignorance |
| 12. Opulent Installation |
| 13. Curse Of Knowing |
Product Description
CD Description
This album, the first Andrew Coleman has released under hisown name, marks a significant progression from the work he's done under his better-known moniker Animals on Wheels. Hisprevious efforts were rooted strongly in the drum-and-bass department (albeit tempered by an indefatigable desire for envelope-pushing), but on EVERYTHING WAS BEAUTIFUL, Coleman leaves behind the dizzying breakbeats and staccato sequencersin favour of more abstract realms. Coleman hasn't exactly gone ambient; there's still plenty of grit and edginess to his electronic soundscapes, but he's painting with a broader brush on a bigger canvas.
Exotic tone colours and atmospheric textures float above gently skittering, seldom loop-likerhythms. But even the most fragile, melodic elements here are discreetly tweaked, processed just enough to add an effective off-kilter quality. In this manner, Coleman strikes a nice balance between the dreamy and the visceral.
This album, the first Andrew Coleman has released under hisown name, marks a significant progression from the work he's done under his better-known moniker Animals on Wheels. Hisprevious efforts were rooted strongly in the drum-and-bass department (albeit tempered by an indefatigable desire for envelope-pushing), but on EVERYTHING WAS BEAUTIFUL, Coleman leaves behind the dizzying breakbeats and staccato sequencersin favour of more abstract realms. Coleman hasn't exactly gone ambient; there's still plenty of grit and edginess to his electronic soundscapes, but he's painting with a broader brush on a bigger canvas.
Exotic tone colours and atmospheric textures float above gently skittering, seldom loop-likerhythms. But even the most fragile, melodic elements here are discreetly tweaked, processed just enough to add an effective off-kilter quality. In this manner, Coleman strikes a nice balance between the dreamy and the visceral.
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