Answers to Nothing ~ Midge Ure  (2)
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Breathe ~ Midge Ure (4)
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Pure ~ Midge Ure |
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Quartet ~ Ultravox  (4)
£5.97
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Track Listings
| 1. You Move Me |
| 2. Beneath A Spielberg Sky |
| 3. Words |
| 4. Strong |
| 5. Let Me Go |
| 6. Alone |
| 7. Monster |
| 8. Absolution Sometime! |
| 9. The Refugee Song |
| 10. Four |
| 11. Somebody |
| 12. BONUS MATERIAL |
| 13. You Move Me (Radio Session) |
| 14. Alone (Radio Session) |
| 15. Let Me Go (Radio Session) |
| 16. You Move Me (Video) |
Product Description
Amazon.co.uk Review
Working out of his own studio, Midge Ure--the multi-talented fellow best-known (despite successes with Slik, the Rich Kids and Ultravox) as Bob Geldof's Band Aid buddy--has crafted Move Me, his first solo album in five years. For the most part, he goes it alone: writing the songs, producing the tracks and playing virtually every instrument himself, with only the rhythm section of bassist Dave Williamson and percussion maestro Russell Field contributing much else. To judge by his lyrics, Midge is a man close to his spiritual nadir, fretting about the cynical war-mongering world he's forced to live in, bewailing his own shortcomings and desperately seeking some kind of spiritual salvation. Fortunately the music is rather more uplifting, with some tracks bordering on rootsy rock and others reminiscent of the late-period Ultravox, as they might have been had they the benefits of sampling and computer technology. --Johnny Black
Working out of his own studio, Midge Ure--the multi-talented fellow best-known (despite successes with Slik, the Rich Kids and Ultravox) as Bob Geldof's Band Aid buddy--has crafted Move Me, his first solo album in five years. For the most part, he goes it alone: writing the songs, producing the tracks and playing virtually every instrument himself, with only the rhythm section of bassist Dave Williamson and percussion maestro Russell Field contributing much else. To judge by his lyrics, Midge is a man close to his spiritual nadir, fretting about the cynical war-mongering world he's forced to live in, bewailing his own shortcomings and desperately seeking some kind of spiritual salvation. Fortunately the music is rather more uplifting, with some tracks bordering on rootsy rock and others reminiscent of the late-period Ultravox, as they might have been had they the benefits of sampling and computer technology. --Johnny Black
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