Amazon.co.uk Review
A quintessential 1980s pop artifact, Madonna's third album was a huge musical leap forward and ranks with
Like a Prayer and
Ray of Light in the top echelon of her works. Only the title track (a bit too obviously a 60s girl-group homage) and the fine-but-nothing-special "Jimmy Jimmy" slightly lower the quality bar. Most of the songs share a jittery dance-pop sound, edgy, distracted, and nerve- jangling but simultaneously invigorating and exhilarating and almost dangerously giddy--a perfect soundtrack for the mid-1980s. Highlights include the hedonist's credo of "Where's the Party", the subtle and pretty Latin pastiche "La Isla Bonita", and, towering above all, three stunning mega-hits. "Papa Don't Preach", with its gorgeous pseudo-classical strings intro, is a sumptuous airwaves banquet, as Madonna wrestles with the have-the-baby-or-give-it-up dilemma (abortion's not in the picture) in newly gritty tones. "Open Your Heart"'s marriage of jitter-pop and wistful melody underscores the singer's yearning but forceful stance ("You better open your heart to me, buster"). And "Live to Tell" is a riveting ballad, lushly melodic yet spare and haunting--a place, as the song says, where beauty lives. --
Ken Barnes
CD Description
Not to take away from the two fine party albums that preceded it, but TRUE BLUE is arguably the first great Madonna album, the one on which she discovered that great soul music isn't just a beat; it usually requires delving into one's own soul. As originally released on LP, the album's first side, featuring a dizzying single about teen pregnancy ("Papa Don't Preach"), a perfect Tin Pan Alley pop song ("Open Your Heart") and the amazing "Live To Tell", a ballad on which she discovers, for the first time, the low end of her vocal range, is almost undoubtedly the finest album side she ever cut.
TRUE BLUE also includes "Where's The Party", a catchy throwback to the forget-your-cares dance pop of her debut album, and "La Isla Bonita", which represented the beginning of Madonna's fruitful obsession with Latin beats and culture. Five songs from the album, including the girl-groupy title cut, made the top five of the pop chart; three of them hit #1.