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Malcolm Arnold
 
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Malcolm Arnold
~ Sir Malcolm Arnold (Composer), Barry Wordsworth (Conductor), Adrian Boult (Conductor), Howard Snell (Conductor), Elgar Howarth (Conductor), et al.
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Track Listings

1. Guitar concerto, Op. 67
2. English dances, Op. 27 & Op. 33
3. Symphony for brass instruments, Op. 123
4. Quintet for brass, Op. 73

On this CD:
  1. Concerto for Guitar and Chamber Orchestra
    Composed by Sir Malcolm Arnold
    Performed by English Chamber Orchestra
    with Eduardo Fernández
    Conducted by Barry Wordsworth

  2. (4) English Dances
    Composed by Sir Malcolm Arnold
    Conducted by Adrian Boult

  3. (4) English Dances
    Composed by Sir Malcolm Arnold
    Conducted by Adrian Boult

  4. Symphony for Brass
    Composed by Sir Malcolm Arnold
    Performed by Jones Brass Ensemble
    Conducted by Howard Snell

  5. Quintet
    Composed by Sir Malcolm Arnold
    Performed by Jones Brass Ensemble
    Conducted by Elgar Howarth


Product Description
Amazon.co.uk Review
This two-CD set of works by Malcolm Arnold is an enjoyable, if perhaps not wholly distinctive compilation. The standout item has to be the marvellous set of eight English Dances that Arnold penned from 1950-51. Brimful of giddy colour and indelible melody (including, in the fifth dance that irresistibly perky theme from the long-running TV series What the Papers Say), they're a genuine tonic. Boult directs with splendid understanding and affectionate gusto; Decca's beautifully balanced mono production from 1954 remains astonishingly vivid. Written for Julian Bream, the Guitar Concerto of 1959 falls most appealingly on the ear (the first movement boasts a peach of a tune), and soloist Eduardo Fernandez is especially perceptive in the smoky half-lights of the central Lento (a threnody for the great jazz guitarist Django Reinhardt). Of the two works for brass, the comparative exuberance of the 1961 Quintet contrasts strikingly with the darker-hued, altogether more angular demeanour of the four-movement Symphony from 1978. Certainly, both pieces are immaculately laid out for their respective forces and stunningly well played here producing a first-rate sound. --Andrew Achenbach

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