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4 of 5 people found the following review helpful:
5.0 out of 5 stars
Oddly, it's a Russian who saves the day..., 8 Mar 2006
The Strange Case of Delphina Potocka is a film that shares much in common with the character Paulina, played nicely by Penelope Wilton: it has its heart in the right place, but misguidedly goes about things the wrong way. A serious lack of funding must surely explain why much of this, the main feature, is just utterly awful.Its first drawback is that it looks like it was shot on cheap video. The black-and-white scenes DO NOT look gritty, they make you think your telly's on the blink. There is a huge amount of what looks like stock footage used: again, presumably, to compensate for a cash shortage. By and large, the scenery elsewhere in the film looks pretty tawdry - the ballroom scenes with Rhys as Chopin are fantastic, but much of Communist Poland looks like it was shot in the east end of London on a rainy Thursday in January. Run-down and grim, yes; but the east end of London nonetheless, not Poland. The sparse chairs and tables and antique typewriters - yes, I know that's what post-war Poland should have looked like, but you can't help but think it all looks rather like an am-dram production of Hedda Gabler. Perhaps that's because, despite the famous names in the cast, a good deal of the acting is absolutely atrocious - check the scene where a gaggle of revolutionaries "chase" an old man down a landing. I've seen more convincing Nativity Plays, frankly. Bird and Fortune ham it up, unable to do ought else, given the terribly stilted script. Rhys, however, IS worth his money. Long, slender fingers too - perfect for the great pianist. It's pretty ropey, the whole thing, but somehow still quite charming. Worth a watch, at least once. And the insertion of performances (filmed far more lushly than anything else in the film) by the young Russian pianist, Valentina Igoshina, injects a pathos and beauty the film struggles to achieve elsewhere. It is Igoshina's performance - which fills the second half of the DVD - that saves the enterprise, and warrants it a five-star rating. Not only does she interpret Chopin with an intensity and sensuality unparalled (I've seen her live in London, and prefer her preludes those of Ashkenazy and Kissin), but she also gives lively and intelligent discussion of the music in between pieces. For this, and this alone, any lover of Chopin could do with this DVD in their collection.
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