Amazon.co.uk Review
The promotional blurb accompanying Marillion's 12th studio album
Anoraknophobia (a venture funded entirely by the band's fans, 12,000 of whom stumped up the cash 12 months prior to its release) challenges music journalists to avoid using words like "progressive rock", "Genesis" and "dinosaur". "You're all wrong about Marillion, just put it on and listen to it," muses singer Steve Hogarth. While such sentiments could easily be paraphrased as "You'll be surprised how much this record doesn't sound like us"--hardly the sort of compliment anyone ought to be paying themselves--it's true that
Anoraknophobia belongs much more to our time than the days when certain lambs lay down on Broadway. Even if efforts to "get with it" are intermittently over-eager--the 11-minute long "When I Meet God" dearly wishes it was
The Verve's "The Drugs Don't Work"--there's much to admire in the shape of the genuinely pretty, summer wistfulness of "Fruit Of The Wild Rose", the stadium-rock competence of "Map of the World" or the
Kula Shaker-esque psychedelic funfair racket of "Separated Out".
--Kevin Maidment
CD Description
Marillion's thirteenth studio album moves away from their eighties prog style. This tuneful blend of rock, funk, jazz and blues has won acclaim from critics and fans alike.