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One Nil
 
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One Nil

~ Neil Finn
4.4 out of 5 stars See all reviews (20 customer reviews)

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Product details

  • Audio CD (9 April 2001)
  • Number of Discs: 1
  • Label: Parlophone
  • ASIN: B00005ABX9
  • Other Editions: MP3 Download
  • Average Customer Review: 4.4 out of 5 stars See all reviews (20 customer reviews)
  • Amazon.co.uk Sales Rank: 62,916 in Music (See Bestsellers in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Extraits
Song Title Time Price
Listen  1. The Climber 4:13£0.69
Listen  2. Rest Of The Day Off 3:49£0.69
Listen  3. Hole In The Ice 4:11£0.69
Listen  4. Wherever You Are 4:46£0.69
Listen  5. Last To Know 3:02£0.69
Listen  6. Don't Ask Why 3:54£0.69
Listen  7. Secret God 5:27£0.69
Listen  8. Turn And Run 3:46£0.69
Listen  9. Elastic Heart 4:00£0.69
Listen10. Anytime 3:24£0.69
Listen11. Driving Me Mad 3:58£0.69
Listen12. Into The Sunset 4:12£0.69


Product Description

Amazon.co.uk Review
The 12 tracks on One Nil proffer a more organic, rougher-hewn take on Neil Finn's solid classicism. While Crowded House's populist folk-pop tugged as many purse-strings as it did hearts, Finn's solo career has been characterised by nothing more strident than the soft shuffle of gentle understatement--as if the Antipodean troubadour feared his former muse would be insulted by any attempts to out-pop the relentlessly tuneful House. Not that this follow-up to 1998's patchy solo debut Try Whistling This is in any way under-whelming. The swirling effects and treated guitars of "Rest of the Day" hint more at latter-day Split Enz and even, occasionally, Oasis than Crowded House. Unfortunately, there is also a sense that the addition of such sonic accoutrements may be little more than a ham-fisted attempt to add techno-savvy flesh to basic, traditional bones--with "Hole in the Ice" and "Secret God" imbued with dubious guitar solos and irritatingly superfluous backing vocals (courtesy, bizarrely enough, of former Prince demoiselles Wendy Melvoin and Lisa Coleman) that merely serve to detract from the music's warm-hearted core. Nevertheless, Finn's long-runnning lyrical concerns--love, loyalty and, predominantly, self-doubt--have never been expressed more adroitly. "Into the Sunset", for example, is a sweet love letter to his wife, while "Last to Know" manages to deliver a jaunty treatise on mortality ("I'll end up under a bus/With my fingers crossed"). Although Finn still appears reluctant to rock out with strong tunes, One Nil is neverthless bursting with charm and gentle melody, suggesting the "real" Neil Finn is finally finding his feet. --Sarah Dempster

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Customer Reviews

20 Reviews
5 star:
 (14)
4 star:
 (2)
3 star:
 (3)
2 star:    (0)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (20 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
3 of 3 people found the following review helpful:
4.0 out of 5 stars Neil Finn Scores Anytime, 22 Mar 2001
Neil's new album 'One - Nil' is both a continuation of the experimentation of Try Whistling This and a harking back to the values and approaches of Crowded House.

Produced by Tchad Blake, a range of top notch musicians appear on the CD including Sheryl Crow, Wendy & Lisa, Jim Moginie and Jim Keltner. Despite Neil's recent stints at Largo there is no sign of any musical input from Jon Brion. Hope that particular musical union could be consummated someday. (Check out JB's 'Meaningless')

Tracks :

1 The Climber

A droning intro leads into an almost REM/Neil Young type song that soon hints at Neil's CH heritage prompting '..a smile between us.'. PS Has the e-bow become today's didgeridoo I ask myself?

2 Rest Of The Day Off

Mid tempo song that could have easily fitted onto 'Finn'. Atmospheric guitars with a bit of CH freaking out at one stage. Other phases of the track include a Bowie 'Ashes to ashes' interlude. A real grower ......

3 Hole In The Ice

Coming straight out of 'Rest of the day off' this is a pretty pacy track about....well I'm not really sure. Lyrics include Neil singing about making fire, Eskimos giving him lines for his songs and therapy 'one on one'. Happenstance perchance? Son Liam makes an appearance on backing vocals.

4 Wherever You Are

Familiar from Largo and an excellent song. Unfortunately here the drum machine intro irritates (though I admit that all drum machines irritate me!). Still, the acoustic version from Largo may well have the edge. Sharon sings backing vocals with Mitchell Froom making one of his many contributions to the album on keyboards.

5 The Last To Know

A slow ballad with a nice production. Lisa contributes violin, adding to the atmosphere, with Sharon on backing vocals - a 'true companion at your side'.

6 Don't Ask Why

'I've never been to heaven but it feels alright.' sings Neil on this uptempo rocker not a million miles away from something Sheryl Crow might write. Ironically she does not appear on this track. Wendy displays her many talents by playing drums, bass and guitar - how many hands does she have? Likely to be a standout song when the tour starts.

7 Secret God

Bucking the trend, this to me sounds better than the Largo version. Maybe it 's the additional instruments giving more light and shade. Some menacing/malevolent guitar work and I'm sure Neil will be proud of the jazzy, Steely Dan-like ending. ;-)

8 Turn And Run

Just another great Neil Finn ballad. Sheryl Crow shares vocal duties. Some sort of flashback to childhood perhaps with images of Neil standing with his 'plastic gun'? But he's with us in 'body and music and mind'.

9 Elastic Heart

Hmmm. Odd tune, odd lyrics. Unlike anything else on the album, I wonder if it is a nod towards Wendy and Lisa's background. The 'Black and White Boy' of 'One-Nil'?

10 Anytime

Seems sharper and more driving than the Largo version. With the wistful

lyrics ('I could go at anytime') this is unexpected. I can see Neil doing an acoustic solo spot in concert with this one.

11 Driving Me Mad

Almost country and western in feel. Sheryl Crow again shares vocals. 'But most of all it's music taking me, It's driving me mad, Still I can't refuse' .

12 Into The Sunset

Really nice album closer. Would not be out of place on Together Alone. Reversed guitars, Mitchell on celeste and Sheryl on accordion.

Overall this is a very satisfying album with enough Crowded House touches to please past fans whilst moving forward with new sounds and musical partners and adding a number of new classics to the Neil Finn canon.

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2 of 2 people found the following review helpful:
5.0 out of 5 stars sounds like a cliché, but the best album of the year!, 28 May 2001
By A Customer
okay, there's not much to say about this album really, except that it's caught my full attention and keeps me listening to it over and over again. i haven't been so anxious about an album since... well, sting's "brand new day" probably, although it's a little more "difficult" that "try whistling this". here are my favourites: "whatever you are" ... with its haunting melodie and the brilliant chorus. "driving me mad" ... just drives me mad each time i listen to it. TURN IT UP! "don't ask why" ... a rocker, that's for sure. you can hear he's having fun rocking this time! "secret god" ... first i skipped it when the instrumental part in the middle started, but after a few times listening i found the third verse afterwards so liberating after the noise that i had to love it. finally, "into the sunset" ... reminds me of the feeling i wanted to give a song i've written and i never managed to. this is it! great.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Kiwi retuns with gem; quick, grab it, 27 April 2001
By A Customer
Having seen Neil in concert last night, he still has that spark that few contemporary performers have, making an entire concert hall worship him for two hours. His performance is immaculate, funny, some great guitar playing and still has one of the best rock/pop voices today. The backing band is different from the 'Try Whistling This' tour and some of the playing is exceptional - the bassist is fantastic (can't remember his name) and Lisa Germano supplies sublime backing vocals and a range of instruments.

Some of my favourite albums (Tindersticks, Delgados, Grandaddy) have taken a week or so of listening to grow on me; so far One Nil is going the right way about it. After a week of listening, and getting under it's skin, I'm beginning to love it the way I love Crowded House 'Together Alone'. In fact, this is Neil's best collection of songs apart from the near-perfect 'Together Alone'. 'The Climber' opens the album and features a beautiful, classic Finn melody; just as good are 'Last To Know' and 'Into The Sunset'. 'Hole In The Ice' is this album's 'Loose Tongue' and is a better song to boot. The singles, 'Wherever You Are' and 'Rest Of The Day Off' are excellent, and real growers, although 'Wherever...' didn't seem to work as well live. What did work really well live, however, is 'Turn And Run'. Not many songs make the hairs on the back of my neck stand up, but this song is one of Neil's best works - ever! Probably the best song is 'Driving Me Mad' which is a perfect example of Neil's guitar-playing, vocals, abstract melody and arrangement. The rest are good, some great, and overall a better consistent quality than 'Try Whistling This' which should probably have been a couple of songs shorter. No filler on this album though.

So, the bottom line. Nick Cave & The Bad Seeds have made possibly the best album this year, but if you buy that you should buy the best rock/pop alternative, which is this Neil Finn album (pushing Stephen Malkmus into a very close second). Finn's best collection of songs apart from 'Together Alone'.

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Most Recent Customer Reviews

1.0 out of 5 stars An organic substitute for Ritalin
What is all the fuss about Neil Finn? This is easily one of the most average, dreary, mediocre records ever made, although it would be a very healthy, non-addictive alternative... Read more
Published 12 months ago by Stan

5.0 out of 5 stars Neill Finn in superb form
This album didn't at first appeal to me quite as much as the brilliant "Try Whistling this" but after a few plays the songs get under your skin and you find yourself listening to... Read more
Published on 31 May 2007 by pint6x

5.0 out of 5 stars One Big Step Forward
Although I seem to be in a minority, I felt that Finn's previous work before this release was a major letdown. Read more
Published on 21 May 2007 by gnagfloW

5.0 out of 5 stars An odd ball
Beware, this album does strange things to you. I bought it soon after it was released in 2001, listen to it once and wished I'd spent the money on chocolate instead. Read more
Published on 5 Dec 2006 by T. E. Perry

5.0 out of 5 stars The Best songwritter ever
Neil Finn is for sure one the best songwritters i know. It's his wicked words with tenderness, and love and all the emocions that you can feel in a song. Read more
Published on 2 Feb 2006 by mike_3d

3.0 out of 5 stars not one for you if you're new to neil finn
I made the mistake that's so often made - I bought a live CD, before then buying a studio album expecting it to be about as good. Not surprisingly, I was disappointed. Read more
Published on 2 Jun 2005 by Mr. J. Chapman

5.0 out of 5 stars One Nil to the Kiwi-dude
With One Nil, Finn appears to have struck gold in his attempts to remould his great talent for classic melody with more exotic aural scapes than his previous unit ever dared... Read more
Published on 6 Jan 2003 by Mr Philip G Abbott

5.0 out of 5 stars The guy behind Crowded House excels himself again.
This is brilliant - there is no question of this. "Wherever you are" is wonderful, and the blissful eccentricity of "Secret God" is absolutely marvellous... Read more
Published on 5 Jun 2001

5.0 out of 5 stars Never Let's You Down....
Neil Finn's second solo project shines! After the creative "Try Whistling This", "One Nil" is a smooth and exciting follow-up. Read more
Published on 22 May 2001

5.0 out of 5 stars Pure Genius
Quite simply, Neil Finn is and always will be a musical genius and since buying 'One Nil' about a month ago it has not been off my stereo and I personally think its a better album... Read more
Published on 18 May 2001

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