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Richard Strauss - An Alpine Symphony
 
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Richard Strauss - An Alpine Symphony

~ Christian Thieleman
5.0 out of 5 stars See all reviews (1 customer review)
Price: £12.69 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Audio CD (21 May 2001)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: Universal Classics
  • ASIN: B00005AAFA
  • Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 94,964 in Music (See Bestsellers in Music)

    Popular in this category:

    #19 in  Music > Opera & Vocal > Opera > By Title > Die Rosenkavalier

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Track Listings

1. Nacht
2. Sonnenaufgang
3. Der Anstieg
4. Eintritt in den Wald-Wanderung neben dem Bache
5. Am Wasserfall - Erscheinung
6. Auf blumige Wiesen
7. Auf der Alm
8. Durch Dickicht und Gestrüpp auf Irrwegen
9. Auf dem Gletscher
10. Gefahrvolle Augenblicke
11. Auf dem Gipfel
12. Vision - Wiener Philharmoniker, Christian Thielemann, Anton Holzapfel
13. Nebel steigen auf - Die Sonne verdüstert sich allmählich - Elegie - Stille vor dem Sturm - Wiener Philharmoniker, Christian Thielemann, Anton Holzapfel
14. Gewitter und Sturm, Abstieg - Wiener Philharmoniker, Christian Thielemann, Anton Holzapfel
15. Sonnenuntergang - Wiener Philharmoniker, Christian Thielemann, Anton Holzapfel
16. Ausklang - Wiener Philharmoniker, Christian Thielemann, Anton Holzapfel
17. Nacht - Wiener Philharmoniker, Christian Thielemann, Anton Holzapfel
18. Con molto agitato
19. Allegro molto
20. Tempo di Valse, assai comodo da primo
See all 22 tracks on this disc

On this CD:
  1. Eine Alpensinfonie
    Composed by Richard Strauss
    Conducted by Christian Thielemann

  2. (Der) Rosenkavalier
    Composed by Richard Strauss
    Conducted by Christian Thielemann


Product Description

BBC Music Magazine
The strange case of Christian Thielemann is accentuated in his conducting of a composer close to his heart, Richard Strauss. This, after all, is a man who can make Elektra sound like the composer's ideal of 'fairy music by Mendelssohn' on the one hand, and Rosenkavalier like suet pudding on the other, as the grisly pacing of the trio within the music-minus-three context of the Suite on this disc attests. Never mind the merits of this concert-hall compromise here; it makes a generous sweet to follow the main course of the Alpine Symphony in an extraordinary if not always lovable Vienna performance. Taking a good seven minutes longer to get up the mountain and back down than Strauss the conductor in his 1941 recording, Thielemann doesn't always linger where you might expect - namely on the summit or in the sunset epilogue, which are not among the finest things in this interpretation. His studied approach enlightens the interplay between solo and collective strings before the approach to a spectacularly cascading waterfall, the ingenuity of the muted brass-writing as our mountaineers find themselves 'lost in thicket and undergrowth', and above all in the agonising suspense before a brutal storm. Unfortunately the balances aren't always happy within the performance itself - witness the smothering of first-trombone contours in the mountain theme at the start - or in the artificial recording, which as often with this thickly scored work assaults the listener mercilessly. Philips engineers got it right for Ozawa and the orchestra back in 1996, a performance far handsomer to live with, if missing some of the knife-edge details in which Thielemann delights.

Performance ****
Sound ***

© BBC Music Magazine 2001


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Average Customer Review
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1 of 2 people found the following review helpful:
5.0 out of 5 stars A sonic and interpretative feast, 19 April 2009
By Ralph Moore (Bishop's Stortford, UK) - See all my reviews
(REAL NAME)      
Well, responses to music are notoriously subjective but I am mystified by some of the criticisms I have read of this disc; if you were to trust them you would think that it is a sub-standard dud in almost every way. It seems to me that, for example, both the official Amazon.com reviewer Dan Davis and the BBC Music Magazine back in 2001 got it totally wrong. However, as is often the case, I am with trusted reviewers such as the Santa Fe listener on this one: it is a magnificent, newly thought-out, thrilling performance that elicited a host of encomiums from the Viennese music press who heard it live in October 2000. It has all of the advantages of a live performance when things "click" and virtually none of the attendant disadvantages; the audience are very well behaved and the recording engineers did a great job in bringing out the multiple layers of this vast work. Yes, if you compare it with studio recordings occasionally a line might be a little too recessed or an individual instrument submerged, but it strikes me as absurd to moan that the wind machine is sometimes inaudible or that the balance is artificial; it sounds to me like a faithful reproduction of the ambience in the Grosse Saal. All I know is that the disc sounds fabulous on my Bose, on speakers, or through Sennheiser headphones and I was bowled over by the virtuosity of the Vienna Philharmoniker (virtually flawless live; no re-takes or splicing here), the subtlety and grandeur of Thielemann's conception and the brilliance and immediacy of the sound. It goes straight to the top of my list of favourite recordings (alongside the BPO/Mehta and the Weimar Staatskapelle/Wit versions) - not just of this piece but of live recordings in general.

I assume that the criticisms of the "Rosenkavalier" suite here are the natural corollary to already having taken against Thielemann's interpretative style in Strauss; again, I loved the detail and flexibility of tempi in his account. He seems to me, in his use of rubato, to be daring to recapture a vanished style of conducting. Those who don't like it are free to seek out those many modern conductors who espouse the more mechanistic, homogenised and metronomic approach so widespread today.
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