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Star Trek The Next Generation - Vol. 4.2 [VHS] [1990]
 
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Star Trek The Next Generation - Vol. 4.2 [VHS] [1990]

VHS ~ Patrick Stewart
4.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Actors: Patrick Stewart, Brent Spiner, Jonathan Frakes, LeVar Burton, Marina Sirtis
  • Writers: Gene Roddenberry
  • Format: PAL
  • Language English, French
  • Classification: PG
  • Studio: Paramount Home Entertainment
  • VHS Release Date: 7 May 2001
  • Run Time: 131 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • ASIN: B000059566
  • Amazon.co.uk Sales Rank: 30,234 in Video (See Bestsellers in Video)

Product Description

Amazon.co.uk Review

In 1987, some 20 years after the original series had ended, Star Trek: The Next Generation was launched into a decade renowned for its materialistic greed, but also for its hesitant steps towards a more unified world order. Creator Gene Roddenberry revised his vision of humanity's future accordingly, shifting the Trek timeline 80 years on and reinventing the new Starship Enterprise as an Ark-like exploration vessel full of families, schools, soothing recreational facilities and a maternally pacifying computer voice (Roddenberry's wife, Majel Barrett). The Next Generation crew were not soldiers, but scientists and diplomats. Unlike the fiercely individualistic Captain Kirk, Patrick Stewart's patrician Captain Jean-Luc Picard was a model team leader: no matter how desperate the crisis, he ensured that everyone got to sit round the Conference Room table and talk it over. And in a true late-1980s touch, a key member of the Bridge crew was psychoanalyst Counsellor Troi, always on hand to discuss everyone's feelings.

Season Two saw the welcome introduction of the cybernetic horror that was the Borg. Originally a powerful symbol of technological misuse in an otherwise technologically utopian universe, ultimately their hive-like existence served to reinforce the message that everyone would be much happier as a team player. Even renegade super-entity Q (John De Lancie) relied on Picard as much as his fellow god-like playmates; Data followed Pinocchio and Spock in a quest to discard what made him an individual; and there was even an episode that rationalised why all aliens basically looked alike (we're all one big family). Even the slogan change to "Where no one has gone before" acknowledges that there's no "one" in a team. But for all its earnest political correctness and an over-reliance on "technobabble", good stories played by an appealing ensemble cast were at the heart of the show's success. After seven successful seasons, "All Good Things" finally came to an end. Until Deep Space Nine, Voyager and Enterprise, that is. --Paul Tonks



Synopsis

Features the episodes 'Suddenly Human', 'Remember Me' and 'Legacy'.

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4.0 out of 5 stars (1 customer review)
 
 
 
 
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4 of 4 people found the following review helpful:
4.0 out of 5 stars CHOICES, TRUST & REALITY, 17 Oct 2001
By A Customer
"SUDDENLY HUMAN" puts Captain Picard in a position that he has never felt comfortable in, yet the veteran captain still succeeds in his mission.
After finding the wreckage of a Talarian vessel, the crew discover a human teenage boy on the ship, Jono. Jono has been living with the Talarians since he was a child and does not want to be kept on the Enterprise. The crew learn that Jono's real name is Jeremiah Rossa, and that his grandmother is Admiral Connaught Rossa. Despite Picard's uncomfortable nature around children, he decides to take Jono under his wing and teach him about human life...he even goes as far as to allow Jono to stay with Picard in his quarters. This action proves near-fatal as Jono stabs Picard during the night. Jono's "father" comes looking for him, but Picard feels that Jono should be returned home to his grandmother where he belongs. This displeases Jono and he threatens the crew. Picard eventually realizes that Jono has the right to choose where he wants to live.
The reason I enjoyed this particular episode was because I got to learn that it's important to respect other people's choices, even if it's a bad choice.

After reading the preview of "LEGACY", I was keen to compare Ishara Yar with her sister, Tasha, when I got to see the episode. There was definitely a resemblance between the two. The Yars came from a colony on Turkana IV where constant fighting between the two factions was a fact of life. Due to these circumstances, these two girls became warriors themselves, learning to fight to the end for their cause. Unfortunately, Ishara's cause was one of hate. Tasha was killed in "Skin of Evil" three years earlier.
The Enterprise enters orbit around Turkana IV to rescue two Starfleet crewmen who have crashed landed on the planet. Great caution is taken due to the constant war going on between the Alliance and the Coalition. The away team meet Ishara and Data is especially interested to hear her opinion of Tasha. Ishara tells the crew that she thought that Tasha was a coward for running away from the fight, but Picard strikes back explaining that he has never met a more courageous woman than Tasha.
Doctor Crusher performs an operation on Ishara that will allow her to enter into enemy territory in order for the away team to recover their missing crew. But Ishara betrays them and turns off the oppositions defenses in order for her party to enter their territory.
The best part for me was in the last scene where Data speaks to Riker about trust and explains how Ishara betrayed his trust. Riker explains that despite the risk involved with trusting someone, he is still willing to put himself out everytime.

"REMEMBER ME" puts Doctor Crusher under pressure once again where she is forced to think her way out of a problem that she's in.
Wesley's warp bubble experiment turns hostile when his mother is caught in the experiment and transferred into another reality where the crew begin to disappear.
Slowly the crew count becomes less and less, until it's only Crusher left on the ship. After doing some research she realizes that she is caught in this bubble and that it is collapsing. Meanwhile in our reality, the Traveler appears in Engineering and assists Wesley in retrieving his mother from the warp bubble before it completely collapses and kills her.
The Traveler will eventually be the one who convinces Wesley to leave Starfleet and seek his fortune elsewhere in "Journey's End".
It's not very often that the women of Star Trek (before Voyager) get put in pressure situations, so I was glad when this episode was made.

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