~ Pietro Mascagni
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~ Hector Berlioz
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~ Juan Diego Flórez
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~ Roberto Alagna
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| 1. Maitre Pathelin: Act 1. Romance: Je Pense A Vous |
| 2. Le Cid: Act 3: Ah! Tout Est Bien Fini!... O Souverain, O Juge, O Pere |
| 3. Les Abencerages: Act 2. Recitatif Et Air: Suspendez A Ces Murs... J'ai Vu Disparaitre L'espoir |
| 4. Mireille: Act 3. Cavatine: Mon Coeur Est Plein D'un Noir Souci... Anges Du Paradis |
| 5. L'Amant Jaloux: Act 2. Ser: Tandis Que Tout Sommeille |
| 6. La Juive: Act 4. Air: Rachel, Quand Du Seigneur |
| 7. Mignon: Act 3. Romance: Elle Ne Croyait Pas, Dans Sa Candeur Naive |
| 8. L'Africaine: Act 4: Pays Merveilleux |
| 9. La Damnation De Faust: Part 4, Scene XVI. Invocation A La Nature: Nature Immense |
| 10. Iphigenie En Tauride: Act 2. Recitatif Et Air: Quel Langage Accablant... Unis Des La Plus Tendre... |
| 11. Les Pecheurs De Perles: Act 1. Recitatif Et Romance: A Cette Voix Quel Trouble Agitait Tout Mon... |
| 12. Le Roi D'ys: Act 3. Puisqu'on Ne Peut Flechir... Vainement, Ma Bien-aimee |
| 13. Joseph: Act 1. Recitatif Et Air: Vainement Pharaon Dans Sa Reconnaissance... Champs Paternals |
| 14. Samson Et Dalila: Act 3: Vois Ma Misere, Helas! |
| 15. L'Attaque Du Moulin: Act 2: Le Jour Tombe, La Nuit Va Bercer Les Grands Chenes |
But give him something good to sing, and the results are sensational: his voice burnished, seamlessly modulated and thrillingly expressive. Among the highlights here are an invigorating 'Unis des la plus tendre enfance' from Gluck's Iphigenie en Tauride, poignant in its nobility and thrillingly impassioned; the delightful Breton-influenced aubade 'Vainement, ma bien-aimee' from Lalo's Le roi d'Ys; a tormented, emotive 'Vois ma misere', from Saint-Saens's Samson et Dalila; and a rapturous 'Je crois entendre encore' from Les pêcheurs de perles, with its taxing mezza voce high Bs à point. Best of all, though, is his towering account of 'Nature immense, impenetrable et fiere' from Berlioz's Damnation de Faust.
Performance ****
Sound ****
© BBC Music Magazine 2001
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