Amazon.co.uk Review
Asian artist Sawhney has always dealt in musical fusions, and
Prophesy, his fifth album, is his most ambitious yet. It became a worldwide odyssey, recording the words and beats of everyone from Nelson Mandela to a Chicago cab driver. He went to Madras to mix a 93-piece string section with Natacha Atlas' soaring vocals, did jam sessions in Soweto and rap-metal in LA, sampled Aboriginal dreamtime in Australia and came home to record the sumptuous harmonies of the London Community Gospel Choir. Despite the varied influences, this is not a global mish-mash--moving from the widescreen context of Sunset to the bitter trip-hop of Cold and Intimate, Sawhney has carved out a very personal, haunting and unified collection. --
Lucy O'Brien
fRoots, October 2001
Following the acclaim heaped upon Sawhney's last album (1999's
Beyond Skin) he was given the money and the record company support to go out into the world and record what he wanted. Travelling the globe, he taped a South African children's choir, an Indian string section, flamenco musicians and a philosophising Chicago cabby (to name but a few), before crafting it all together in the studio. I feared the worst on hearing how
Prophesy was recorded. It sounded like the musical equivalent of someone's holiday snaps. Like a license to get self indulgent and artistically unfocussed. Boy was I ever wrong! This is a fascinating, mature and downright deep album, the kind that gets better each time you listen to it. So why does it work? In part I think because Sawhney is such a good songwriter. Many of his Anglo-Asian contemporaries can lay down an earth-shaking groove, but Sawhney is the one who pens the great tunes. All the wayward polyculturalism is anchored by some memorable melodies, such as the opening "Sunset", the funky flamenco meets rai meets Brazilian mix of "Moonrise" (featuring the voices of Cheb Mami and Nina Miranda) or the haunting "Cold And Intimate". There is a flow to the way that all these different elements are put together (Sawhney is one of the most intelligent blenders of sound around), and it feels as if it has actually been conceived as a whole rather than as a collection of songs. Maybe in parts it is a little too smooth and laid back for the hardier fRoots reader, but open up to it and you'll be rewarded. Where else could you hear Natacha Atlas, soulster Terry Callier and Nelson Mandela all on the one disc?
--Jamie Renton © fRoots Magazine all rights reserved