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| 1. Fantasy for Organ and Orchestra |
| 2. Ran |
| 3. Nami no Bon |
| 4. Memory of the Sea |
The other two pieces are thus far more satisfying. Atsutada Otaka's Fantasy for organ and orchestra has a statuesque, Messiaen-like quality, and there are enough passages of quiet reflectiveness to avoid any charge of bombast. Yet this music still feels shallower, more gestural, than Toshio Hosokowa's Memory of the Sea, whose subtitle, 'Hiroshima Symphony', signifies no lament for his home city's nuclear destruction, but instead a paean to nature's regenerative power. Hosokawa is a composer of real standing, his music a concentrated harnessing of contained energies, colours, textures, poetry, that goes far beyond the mere sound-effect that its sometimes static qualities might suggest. The entire programme is beautifully played by the Sapporo Symphony Orchestra under Tadaaki Otaka.
Performance *****
Sound ****
© BBC Music Magazine 2001
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