Most Helpful Customer Reviews
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24 of 26 people found the following review helpful:
2.0 out of 5 stars
Passion in the sense of love affairs, rather than ideas etc., 5 Mar 2004
I was disappointed with this film. I was thinking (or hoping) this film was going to be about the passion of knowledge, ideas, thinking, and any other form of mental stimulation; I really didn't think there was much of that in this film. Maybe I'm just odd in the way I dislike Hollywood's usual portrayal of passion: love affairs et cetera. Passion in this film was portrayed in the Hollywood sense. There was brief mentioning of thoughts, the mind, ideas, the individual, et al, but I felt they were only in idle chatter, and not what really mattered. Maybe all the "Hollywood passion" represented in this film turned me off, but I would have rather spent my time doing something other than watching this film.Recently I had the pleasure of a watching a different documentary film about Miss Rand called "Ayn Rand: A Sense of Life." And I think if you are looking for more details actually about her, her life, and her ideas, rather than love affairs which I thought were quite unpleasant within "The Passion of Ayn Rand," "Ayn Rand: A Sense of Life" is the film I think you'll enjoy to watch and listen to instead.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Excellent character drama, 18 Jan 2007
Despite the hagiographic-sounding title, this film is not a work in praise of the novelist-philosopher Ayn Rand. Instead, it is a biopic, based on a book of the same title, written by Barbara Branden, an erstwhile close friend and high-ranking follower of Rand.
Two attractive young students, Nathaniel Blumenthal (who later changes his name to Nathaniel Branden) and Barbara Weitman (Eric Stoltz and Julie Delpy), are invited, following an enthusiastic letter, to meet their idol, Ayn Rand, at the home she shares with her husband Frank O'Connor (heartbreakingly portrayed by Peter Fonda) in California. Both are passionate devotees of her ideas of Objectivism, reason and self-interest, and find a willing guru in Rand, played with grim charisma by Helen Mirren.
While Nathan is attracted to Barbara, her feelings for him are closer to friendship - but under pressure from Rand, who argues that emotion is always based on reason and that therefore the young couple's shared ideals make them a perfect sexual match, the two of them marry. Their unsuccessful marriage, already intimately destructive since Nathaniel has taken it upon himself to act as Barbara's psychotherapist as well as her husband, seeking to eradicate the 'faulty principles' that make her uncomfortable with the relationship, is worsened when Rand and Nathaniel begin an affair, insisting that their prospective partners accept this sexual relationship as the necessary consequence of their mental compatibility. The tensions between the characters play out against the rising cult of the Nathaniel Branden Institute and the success of Atlas Shrugged, leading to moral and emotional chaos under the guise of reason and idealism.
Whether or not the film is an accurate depiction of the real situation is much debated, but as a character study, it's excellent. Rand, as portrayed by Mirren, comes across as a woman who argues for reason and individual rights, while in fact being ruled, and ruling all those around her, by her own emotions, becoming a toxic and pathetic queen, eternally refusing to see how human nature cannot measure up to her image of it. Stoltz as Nathaniel is a fine portrayal of a bright and not-all-that-bad young man, whose faults, a tendency to self-centredness and dishonesty, are horribly magnified by becoming the favourite disciple of an inconsistent guru, to his own harm as well as everyone else's. Delpy plays the confused, idealistic and fragile Barbara with integrity and passion, and Fonda's portrayal of the kind, weary, alcoholic Frank, clear-sighted about what's going on but too dependent on his wife, both financially and emotionally, to speak up, is downright tragic. There are splendid performances from a strong cast, with an involving story that encourages sympathy with flawed people. Rand supporters may not like it, as it portrays Rand, Branden and the Objectivist movement as fundamentally hypocritical and deluded, but neutral viewers will enjoy an engaging and unusual story, intelligently told and skilfully handled. Well worth a look.
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