New Ancient Strings (Nouvelle Cordes Anciennes) ~ Toumani Diabate  (6)
£9.98
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Product details
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Track Listings
| 1. Famade |
| 2. Detigiou |
| 3. Deli |
| 4. Baya Baya |
| 5. Da Monson |
| 6. Improvisation I |
| 7. Saratikan |
| 8. Talasa |
| 9. Kouroutoukéléfa |
| 10. Lan Banba |
| 11. Improvisation I |
Product Description
Amazon.co.uk Review
The kora is West Africa's answer to the European harp, and wonderfully beguiling it is: it was with this that generations of Mande kings were soothed by their minstrels, and the list of virtuosi is long. This album from Mali's newest kora star--who first came to prominence by duetting with kora king Toumani Diabate--is the quintessence of easy listening. Ballake Sissoko plays with lazy warmth, and he's accompanied by young players on other Malian instruments which have a comparable pedigree. Adama Tounkara plays the lute-like ngoni, and Fassery Diabate the balafon, a wooden xylophone with a distinctive slapping effect. Mama Draba, their singer, has a sweetly insinuating, almost feline, tone. The group virtuosity is unshowy but intricate, as the melodic lines interweave and interact; the acoustic purity is unsullied by electronics. Moreover, this is neither a field recording nor a formal concert, but something deliciously in between: listen on a cold winter night, and feel the sun reaching in. --Michael Church
The kora is West Africa's answer to the European harp, and wonderfully beguiling it is: it was with this that generations of Mande kings were soothed by their minstrels, and the list of virtuosi is long. This album from Mali's newest kora star--who first came to prominence by duetting with kora king Toumani Diabate--is the quintessence of easy listening. Ballake Sissoko plays with lazy warmth, and he's accompanied by young players on other Malian instruments which have a comparable pedigree. Adama Tounkara plays the lute-like ngoni, and Fassery Diabate the balafon, a wooden xylophone with a distinctive slapping effect. Mama Draba, their singer, has a sweetly insinuating, almost feline, tone. The group virtuosity is unshowy but intricate, as the melodic lines interweave and interact; the acoustic purity is unsullied by electronics. Moreover, this is neither a field recording nor a formal concert, but something deliciously in between: listen on a cold winter night, and feel the sun reaching in. --Michael Church
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