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Beethoven: Missa Solemnis
 
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Beethoven: Missa Solemnis

~ Royal Concertgebouw Orchestra (Artist), Leonard Bernstein (Artist)
5.0 out of 5 stars See all reviews (1 customer review)
Price: £7.98 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Audio CD (15 Jan 2001)
  • SPARS Code: ADD
  • Number of Discs: 1
  • Label: Universal Classics
  • ASIN: B000050GK3
  • Other Editions: MP3 Download
  • Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 64,734 in Music (See Bestsellers in Music)

    Popular in these categories:

    #43 in  Music > Classical Instrumental > Performers > A-Z > C-D > Concertgebouw Orchestra
    #89 in  Music > Classical Instrumental > Performers > A-Z > A-B > Bernstein, Leonard

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Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Extraits
Song TitleArtist Time Price
Listen  1. Mass in D, Op.123 "Missa Solemnis" - Kyrie: Kyrie eleisonEdda Moser 3:53£0.79
Listen  2. Mass in D, Op.123 "Missa Solemnis" - Kyrie: Christe eleisonEdda Moser 2:01£0.79
Listen  3. Mass in D, Op.123 "Missa Solemnis" - Kyrie: Kyrie eleisonEdda Moser 4:21£0.79
Listen  4. Mass in D, Op.123 "Missa Solemnis" - Gloria: Gloria in excelsis DeoEdda Moser 4:48£0.79
Listen  5. Mass in D, Op.123 "Missa Solemnis" - Gloria: Qui tollis peccata mundiEdda Moser 6:28£0.79
Listen  6. Mass in D, Op.123 "Missa Solemnis" - Gloria: Quoniam tu solus sanctusRoyal Concertgebouw Orchestra 1:13£0.79
Listen  7. Mass in D, Op.123 "Missa Solemnis" - Gloria: In gloria Dei Patris, AmenEdda Moser 2:55£0.79
Listen  8. Mass in D, Op.123 "Missa Solemnis" - Gloria: Amen - Quoniam tu solus sanctusEdda Moser 2:22£0.79
Listen  9. Mass in D, Op.123 "Missa Solemnis" - Credo: Credo in unum DeumRoyal Concertgebouw Orchestra 4:08£0.79
Listen10. Mass in D, Op.123 "Missa Solemnis" - Credo: Et incarnatus estEdda Moser 5:57£0.79
Listen11. Mass in D, Op.123 "Missa Solemnis" - Credo: Et ascendit in coelumRoyal Concertgebouw Orchestra 5:20£0.79
Listen12. Mass in D, Op.123 "Missa Solemnis" - Credo: Et vitam venturi saeculiRoyal Concertgebouw Orchestra 1:41£0.79
Listen13. Mass in D, Op.123 "Missa Solemnis" - Credo: AmenEdda Moser 3:13£0.79
Listen14. Mass in D, Op.123 "Missa Solemnis" - Sanctus: Sanctus Dominus Deus SabaothEdda Moser 2:57£0.79
Listen15. Mass in D, Op.123 "Missa Solemnis" - Sanctus: Pleni sunt coeliRoyal Concertgebouw Orchestra 1:06£0.79
Listen16. Mass in D, Op.123 "Missa Solemnis" - Sanctus: PraeludiumRoyal Concertgebouw Orchestra 2:13£0.79
Listen17. Mass in D, Op.123 "Missa Solemnis" - Sanctus: BenedictusEdda Moser10:34Album Only
Listen18. Mass in D, Op.123 "Missa Solemnis" - Agnus Dei: Agnus DeiEdda Moser 6:52£0.79
Listen19. Mass in D, Op.123 "Missa Solemnis" - Agnus Dei: Dona nobis pacemEdda Moser 2:10£0.79
Listen20. Mass in D, Op.123 "Missa Solemnis" - Agnus Dei: Agnus DeiEdda Moser 3:00£0.79
Listen21. Mass in D, Op.123 "Missa Solemnis" - Agnus Dei: PrestoEdda Moser 3:53£0.79



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3 of 3 people found the following review helpful:
5.0 out of 5 stars Superb Live Performance, 19 Feb 2007
Beethoven himself felt that the Missa Solemnis was his greatest work. It is hard to disagree with him with after hearing such a performance. Bernstein is a composer as well as a conductor and he was powerfully influenced in his own Mass in conducting the present work. I feel that what you get in this performance is a gradation of each movement so that it contributes to the whole experience.

As an example, the opening of the Gloria is as impressive as any performance you are ever likely to hear. However there is something 'held back' because at the end of the movement, when this material returns [transformed], the power of the music is substantially greater. In the fugue 'In Gloria Dei Patris' you hear the conflict in the music with savage accents which Bernstein brings out while maintaining dynamic terracing so you can hear the individual lines. In the 'Credo' the quiet sections are devout whilst in the fugue 'Et Vitam Venturi' the music clearly dances and the ever rising voices, syncopated with tied crotchets, induce a trance whereas in the latter part of the fugue the rhythmic power and abandon are beyond compare.

As wonderful as the fast and powerful sections of the music are played, I think Bernstein is most at home in the Sanctus and the Praeludium to the Benedictus, with his love of Mahler he must have felt particularly close to the Praeludium's melting texture yielding to a very innocent, transfigured song that Mahler aspired to but did not always achieve.If you do not know the work then this movement can best be imagined by thinking of the slow movement from Beethoven's violin concerto which has a similar mood.

The soloists and chorus are entirely up to this music. Their cadenzas at the end of 'Et Vitam Venturi' are very touching, they sound like lingering tender farewells.

The live performance clearly brings excitement to the playing and singing. This disk cannot be recommended highly enough.
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