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15 of 15 people found the following review helpful:
5.0 out of 5 stars
This guy is going to be big..., 20 Feb 2002
Now, this is really something special. It has to be said that there are just too many cheap, pop-orientatied solo artists around these days. But one good thing about this is that it makes decent artists like Tom McRae shine like gold. I've had the album for about six months, but even up until today (when I decided to offer a review of the album to Amazon), I still find myself sitting down with my guitar and attempting to play along with the wonderful songs. There is something in the music here that is at the same time touching as it is harrowning. Some of the lyrics and the singing is so sad, that it can actully feel colder in the room you're sitting in. I've yet to hear Tom McRae live, but at the nearest opportunity, I will.The spooky and simple first track, 'You Cut Her Hair', is a good indication of the mood for the rest of the album, even though no two songs are alike. If the album had started with the more up-beat second track (and single) 'End Of The World News', then the album may have had a deceptive beginning, and the other songs could even be less approachable than they are. 'End Of The World News' is a good song for a hit single, but it's the only one of it's kind on here. Songs like 'One More Mile' are emotional songs of epic proportions, harking back to stuff like Jeff Buckley (remember him?). Other songs such as 'Bloodless' and 'The Boy With The Bubblegum' are strong, hard songs held together by nothing more than McRae's piercing voice. Beautiful and fearful. My personal favourite on the labum is 'Untitled', which just fills me with imagery of loss and passion, even if the meaning may be lost on me. I don't know. I must say that between me and friends who have heard the album, there have been mixed responses. Many folks I know didn't like the album because they thought it was not especially colourful, or not catchy enough. I can agree with them there - none of the songs are especially catchy and sing-alongy, especially on the first listening. But the depth and beauty behind the songs appears over time, as it does with all good music, in my eyes anyway. The songs do end up in your head as easily as some tune you may have heard on the radio. But the songs stick in your head and could stand next to whatever memories you have to match them. If you have a sad memory, you may find a song here that will sit with it perfectly for a long time. If you have a good memory, you may find a song here that will be the perfect mini-soundtrack for it. I think that it's plainly obvious that McRae wrote each of these songs around a memory, or an emotion, or an event, and even if that particular situation is not aparent to the listener, the listener's own is, and becomes exhumed by the songs themselves. Buy this album if you want to find some music that will grab you and really make you feel like there are still brilliant musicians out there. Musicians writing from the heart. Musicians writing for the sake of music, not money.
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