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Track Listings
| Disc: 1 | |||
|---|---|---|---|
| 1. Prologue (The Stage Of Paris Opera House, 1905) | |||
| 2. Overture - Original London Cast | |||
| 3. Think Of Me - Sarah Brightman, Steve Barton | |||
| 4. Angel Of Music | |||
| 5. Little Lotte.../ The Mirror... (Angel Music) | |||
| 6. The Phantom Of The Opera | |||
| 7. The Music Of The Night | |||
| 8. I Remember.../Stranger Than You Dream It... | |||
| 9. Magical Lasso... | |||
| 10. Notes/Prima Donna | |||
See all 14 tracks on this disc
| |||
| Disc: 2 | |||
| 1. Entr'acte (Act Two - Six Months Later) | |||
| 2. Masquerade / Why So Silent - Original London Cast | |||
| 3. Notes.../Twisted Every Way | |||
| 4. Wishing You Were Somehow Here Again | |||
| 5. Wandering Child../Bravo, Monsieur | |||
| 6. The Point Of No Return | |||
| 7. Down Once More.../Track Down This Murderer... | |||
Product Description
Amazon.co.uk Review
What's left to be said about Andrew Lloyd Webber's adaptation of The Phantom of the Opera a decade after its premiere? That it's maddeningly ubiquitous? A stitch-up of various themes shoplifted from the Italian operatic repertoire? A critic-proof crowd pleaser that's probably being staged somewhere in the world as you read this? A mega-hit that will likely outlive Titanic in the pop-culture pantheon, Phantom has largely redefined--for better or worse--the manner in which modern musicals are conceived, staged and marketed. Its influence has reached far beyond the traditional confines of London and Broadway. A favourite example: an abridged version that was the centrepiece of Los Angeles' longest running transvestite revue, replete with 14-inch chandeliers and a man-playing-a-woman-playing-a-man in the title role. --Jerry McCulley
What's left to be said about Andrew Lloyd Webber's adaptation of The Phantom of the Opera a decade after its premiere? That it's maddeningly ubiquitous? A stitch-up of various themes shoplifted from the Italian operatic repertoire? A critic-proof crowd pleaser that's probably being staged somewhere in the world as you read this? A mega-hit that will likely outlive Titanic in the pop-culture pantheon, Phantom has largely redefined--for better or worse--the manner in which modern musicals are conceived, staged and marketed. Its influence has reached far beyond the traditional confines of London and Broadway. A favourite example: an abridged version that was the centrepiece of Los Angeles' longest running transvestite revue, replete with 14-inch chandeliers and a man-playing-a-woman-playing-a-man in the title role. --Jerry McCulley