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The Virgin Suicides [DVD] [2000]
 
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The Virgin Suicides [DVD] [2000]

DVD ~ Kirsten Dunst
4.0 out of 5 stars  See all reviews (50 customer reviews)
RRP: £12.99
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Frequently Bought Together

The Virgin Suicides [DVD] [2000] + Girl, Interrupted [DVD] [1999] + Crazy/Beautiful [DVD] [2001]
Total RRP: £34.97
Price For All Three: £12.44

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What Do Customers Ultimately Buy After Viewing This Item?

The Virgin Suicides [DVD] [2000]
77% buy the item featured on this page:
The Virgin Suicides [DVD] [2000] 4.0 out of 5 stars (50)
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Product details

  • Actors: Kirsten Dunst, Josh Hartnett, James Woods, Kathleen Turner, Michael Paré
  • Directors: Sofia Coppola
  • Writers: Sofia Coppola, Jeffrey Eugenides
  • Producers: Chris Hanley, Dan Halsted, Francis Ford Coppola, Fred Fuchs, Fred Roos
  • Format: Anamorphic, PAL, Widescreen
  • Language English
  • Subtitles: English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 1.66:1
  • Number of discs: 1
  • Classification: 15
  • Studio: Pathe Distribution
  • DVD Release Date: 4 Dec 2000
  • Run Time: 93 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (50 customer reviews)
  • ASIN: B00004YN6Q
  • Amazon.co.uk Sales Rank: 5,943 in DVD (See Bestsellers in DVD)

Reviews

Amazon.co.uk Review

Sophia Coppola's alternately dreamy and unsettling film about five suburban sisters who all mysteriously kill themselves (the voice-over tells you as much in the first five minutes) casts a witchy spell that lingers like drugstore perfume on a hot day. Beautifully adapted from Jeffrey Eugenides' icily perfect novel (perhaps the best, if not only, work of fiction narrated exclusively in the first-person plural), the 1970s-set film is constructed as the collective memory of the neighbourhood boys who worshipped the beautiful Lisbon girls, blonde sylph-like teen siblings whose beauty and self-destruction still haunts and perplexes the narrators, now grown men.

Why did they do it? Maybe because their Catholic mother (Kathleen Turner, magnificently clenched) locked them all up when near-youngest daughter Lux (the exquisite Kirsten Dunst) stayed out all night after the prom. Maybe it was due to a kind of pubertal feminine hysteria, set off by the first suicide of the youngest daughter Cecilia. Maybe they were infected by a more general malaise (the film fairly teams with images of dying elm trees, infested lakes and fetid nastiness). Or maybe they will just never know what it's like, in the words of Cecilia, to be a 13-year-old girl.

Coppola has a canny eye for 1970s kitsch and the tawdry, touching magic totems of girlhood (tampons, bright bikinis, half-used make-up) and coaxes terrific deadpan performances both from the younger cast and the veterans. (James Woods as the nerdy Lisbon patriarch is as delightfully cast against type as Turner.) For all the languid gloom, there is great wit in the observation of 1970s decor and playful touches abound: airbrushed flashbacks like vintage Timotei commercials; inserts to reveal Lux has the name of her date magic markered on her knickers; teeth and eyes that sparkle unnaturally with post-production tricks. The soundtrack hits just the right wistful ironic note with a mix of period tunes by Todd Rungren, Gilbert O'Sullivan and the like, complemented by the electronica of French pop band Air (whose standalone efforts for the film are also available on a separate CD. A film as unforgettable as first love. --Leslie Felperin



Special Features

1.66 Wide Screen
16:9 Wide Screen
DVD 9
English
English
Region 2
Dolby Digital 2.0 Surround English
Dolby Digital 2.0 Surround
Original Theatrical Trailer
None

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50 Reviews
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 (19)
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 (7)
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Average Customer Review
4.0 out of 5 stars (50 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
10 of 11 people found the following review helpful:
4.0 out of 5 stars A haunting film that pales in comparison to the novel, 31 Dec 2005
By Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews
(TOP 10 REVIEWER)    (REAL NAME)   
Having read Jeffrey Eugenides' The Virgin Suicides, easily one of the most remarkable, haunting novels ever written, I would have said it was impossible to adapt the story to film - and, to some degree, I would have been right. Still, this film adaptation does as fine as job as is humanly possible to bring the ethereal Lisbon girls and the boys obsessed with them and their tragedy to life. It's an excellent, convoluted movie that defies convention and embraces the mystery of the tragedy, but believe me when I say that anyone remotely interested in this movie simply must read the original novel. This movie offers just the first taste of a surreal and tragic story that haunts the reader as much as the suicides haunt the lives of the boys still trying to understand the mystery of the Lisbon girls they adored in ways they could never have put into words. The true magic of the story isn't the sequence of tragic events that unfold; it's the indescribable, impenetrable, unseen world the girls lived in.

The novel tells the story from the outside looking in, through the eyes of the neighborhood boys who obsessed over the Lisbon girls, dreamed about them, and sought some form of access to their haunting inner world. The girls themselves were ethereal creatures spotted only sporadically, surreal ghosts of the lively, vibrant girls they should have been. A movie could never recreate such an abstract viewpoint - the only possible way to do it is to take us into the Lisbon house from the very start. We see what takes places within those walls, watch the interactions of the girls with their parents and one another, and that obviously takes away from some of the mystery inherent in the novel. Even still, we don't get to know the girls as well as we do in the novel. Only two stand out - Constance and Lux, while the other three are simply there, impossible to call by name or recognize by individual nature. That's the main weakness of this otherwise fine adaptation. There's a rushed sort of feeling to the story, and we really needed more time to know and understand Bonnie, Mary, and Therese.

Kirsten Dunst was a perfect choice to play the sensual free spirit that is Lux, while Hanna R. Hall is wonderful as the enigmatic Cecilia, the real lynchpin for the entire story. The film, quickly launching into the traumatic events of the story, doesn't really give us enough time to really see who Cecilia is, and that robs it of some of its heart-touching power, I'm afraid. James Woods plays the subdued role of Mr. Lisbon brilliantly, but Kathleen Turner just never really seemed to capture Mrs. Lisbon successfully enough for me. Then there's Josh Hartnett - not my favorite actor - in full 70s regalia. His character is an important link to Lux, but I think he gets too much time in the movie, to the point that it takes away from the true vision of the other boys' obsession with the girls. The conclusion, on the other hand, feels much too rushed. It's a dark and shocking scene that almost seems to happen in slow motion in the novel, but in the film it all happens so fast that you don't really have sufficient time to digest it. None of these things are a problem for those familiar with Eugenides' novel, but viewers who haven't read the book just won't get the full effect of the tragedy, I'm afraid.

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15 of 17 people found the following review helpful:
5.0 out of 5 stars words cannot express the beauty..., 13 Aug 2003
...of this film. Being a teenager, i can understand how my review may not be helpful in convincing you to buy this. But hear me out anyway. Firstly, who watches the credits all the way through on movies? very few i'd imagine. This was the first movie that i watched all the credits for, simply because i couldn't move, it was one of the purest, most beautiful and unapologetic films i have ever seen in my life.
In a similar way to American Beauty and Pulp Fiction, the film isn't really about anything in terms of epic story, but is simply about the lives of the characters, and their emotions (anyone who says that human lives have a plot is obviously lying) and thus touches you all the more through its lack of story in the traditional sense.
I do apologise but i must cut my review short as someone else neeeds to use the phone line. Buy this film people, it is all i can say.
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16 of 19 people found the following review helpful:
5.0 out of 5 stars cool directing debut, 21 Feb 2002
The Virgin Suicides Cert 15
Director: Sofia Coppola
Stars: Hannah Hall, James Woods, Josh Hartnet
Kathleen Turner, Kirsten Dunst

In corners of second hand video shops are scores of videos that although Critically acclaimed, and coveted by Hardened film collectors. They lay largely undiscovered by most of the general public and if, The Virgin Suicides a directorial debut from Sophia Coppola, shares this fate it will be one of the greatest travesties in film making history.

Beautifully directed, this film relies on narration in the same way as Stand By Me and American Beauty and far from being a distraction the dialogue enhances and enriches the visuals.
The Story is set in typical American Suburban neighbourhood. In particular it focuses on the tragic circumstances surrounding the Suicides of five sisters, as seen through the eyes of the boys who live opposite. Oppressed by an over protective mother (Turner) and understandably affected by the suicide of 13 year old sister Cecilia (Hanna Hall) the Lisbon girls future is almost certainly sealed when, Lux (Kirsten Dunst) has an ill fated one night stand with High school heartthrob Trip Fontaine. As a result Mrs Lisbon locks the girls up behind closed doors, which leads to their tragic, yet inevitable deaths. The casting is spot on with excellent supporting roles from the ever-dependable James Woods playing the apologetic father and high School teacher,'Mr Lisbon' and in Mrs Lisbon Coppola has almost rediscovered Kathleen Turner who stars as the sometimes-neurotic mother of the tragic girls, in one of her finest roles since The War Of The Roses.
This Film is a modern Classic, adapted sensitively, from Jeffrey Eugenides novel, and is almost Shakespearean in its delivery. Although largely unnoticed as an actress, Sophia Coppola has found her niche in directing and could go on to be as renowned as her father the great Francis Ford Coppola.

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Most Recent Customer Reviews

2.0 out of 5 stars I don't get it
Maybe I am missing something. The narrator spends the whole film going on about how 'there are so many questions' and how 'no one will ever know the answers'. Read more
Published 2 months ago by Random

3.0 out of 5 stars pepermunt
worthwhile theme, though scarcely original, but the ending was poorly managed, with no tension and a highly improbable and sudden conclusion
Published 8 months ago by benik

2.0 out of 5 stars Disappointing
I agree entirely with a previous review which stated that the film works very well as a teenage romance story, but is woefully inadequate as a commentary on suicide. Read more
Published 10 months ago by Mr. S. A. Brown

4.0 out of 5 stars Dreamy, moody, good looking..just unsure of it's own identity
This film could have been so much better than it was. Not that it's a bad film at all - it's quite beautifully shot, all the roles are played with ease and admirable... Read more
Published 13 months ago by Bruno

5.0 out of 5 stars A classic.
After reading "The Virgin Suicides" by Jeffrey Eugenides, I was enraptured in the world of the Lisbon girls and their lives, and the rest of the street, so the film for me was a... Read more
Published 22 months ago by Iain Cameron

3.0 out of 5 stars Trapped in a stifling doll's house
In her debut feature film based on Jeffrey Eugenides' novel, Sofia Coppola constructs the claustrophobic atmosphere of a highly dysfunctional family in suburban America in the... Read more
Published 22 months ago by cathy earnshaw

2.0 out of 5 stars Approach with caution
Having finished the book a day before i went out and bought the DVD, i thought if it was anything like the book i would love it. Read more
Published on 19 Jul 2007 by R. A. Goddard

4.0 out of 5 stars Sofia's freshmen project is to be commended
A lot viewer's know that Sofia Coppola is not much of a great actress, but she seems to have inherited some of her father's talents in this film. Read more
Published on 29 Jun 2007 by Jenny J.J.I.

4.0 out of 5 stars Good Adaptation!
I read the novel by Jeffrey Eugenides and really enjoyed it. When I saw that the film was only a fiver, I thought "hell, I'll give it a shot" and really was pleasently suprised... Read more
Published on 5 Jun 2007 by Rebecca Marshall

4.0 out of 5 stars Beautiful film that's much lighter than you might think
Sofia Coppola made her directing debut with this one, a seventies-set story of five teenage sisters who all take their own lives, and of the adolescent boys in their neighbourhood... Read more
Published on 27 Mar 2007 by Franklin T Marmoset

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