|
|
21 of 23 people found the following review helpful:
5.0 out of 5 stars
The French Film You have to see (with subtitles only!), 13 Sep 2000
By A Customer
Often cast in contemporary films, Depardieu seems most in his element in classical and historical roles. The role of Cyrano is, of course, a feast for any actor, but Depardieu seems especially attuned to its physical and verbal demands. He's so assured in the part that he doesn't require the heavy makeup used in the Martin and Ferrer movies. This Cyrano almost doesn't need a monstrous nose to lend poignancy to his unrequited love for Roxane.It is no accident that Depardieu is recognized more for the larger-than-life characters he played in Danton and The Return of Martin Guerre than for the modern neurotics of Too Beautiful For You or Mon Oncle D'Amerique. He directed an unfortunately neglected 1984 adaptation of Tartuffe, in which he also made the most of the leading role; it remains the only film he's chosen to make on his own. Cyrano isn't all Cyrano, fortunately. Anne Brochet makes a splendid Roxane, as demanding in her way as Cyrano, and Vincent Perez is convincingly callow as Christian, the young soldier who loves her but is forced to use Cyrano's words to tell her. Jacques Weber, a well-known stage Cyrano, does a fine job of emphasizing the complexity in the role of De Guiche, who is, for a while, the arch-enemy of both Cyrano and Christian. Exceptionally well-photographed by Pierre Lhomme (Maurice, Camille Claudel), with a suitable score by Jean-Claude Petit and deftly written, rhyming English subtitles by Anthony Burgess, this Cyrano will introduce Rostand to the same generation that had its first brush with Shakespeare last year with the release of Henry V. It's a more traditional adaptation, with nothing radical to add, but it demonstrates the virtues of making the play the thing.
|