~ Tom Waits
|
~ Tom Waits
|
~ Tom Waits
|
~ Tom Waits
|
~ Tom Waits
|
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Track Listings
| 1. Red Shoes By The Drugstore |
| 2. Christmas Card From A Hooker In Minneapolis |
| 3. Romeo Is Bleeding |
| 4. Twenty Nine Dollars |
| 5. Wrong Side Of The Road |
| 6. Whistlin' Past The Graveyard |
| 7. Kentucky Avenue |
| 8. Sweet Little Bullet From A Pretty Blue Gun |
| 9. Title Track |
Product Description
Amazon.co.uk Review
More hard-boiled tales from Tom Waits, who manages to sing lines like "Everyone I know is either dead or in prison" in a raw, whiskey-soaked rasp that sounds both comical and deadly serious. Waits doesn't break any new creative ground here but continues to refine his down-and-out persona. It's booze and broads, sex and violence, laughs and heartbreak. This 1978 album opens with an astonishingly desperate version of "Somewhere" (from "West Side Story"), performed like Louie Armstrong with a migraine. From there it's the usual Waits mix of crackpot wordplay and the cocktail lounge jazz likes of "Romeo Is Bleeding". --Steve Appleford
CD Description
After pefecting his seedy beatnik image on albums like SMALL CHANGE and NIGHTHAWKS AT THE DINER, Waits refined and expanded on it until the 1983 breakthrought of SWORDFISHTROMBONES. BLUE VALENTINE is full of low-rent nightlife imagery and arrangements that leave Waits' jazz leanings behind in favour of a more direct, blues-oriented approach. Lyrically, he'sat his most straightforward and narrative, with tunes like "$29.00" and "Christmas Card From a Hooker in Minneapolis" reading like dimestore detective novels. In a customary nod to tradition, he delivers a marvellously stentorian version of Bernstein's "Somewhere". Things close in a low-key fashionwith the spare,heart-rending title song, a ballad of shattered love.
More hard-boiled tales from Tom Waits, who manages to sing lines like "Everyone I know is either dead or in prison" in a raw, whiskey-soaked rasp that sounds both comical and deadly serious. Waits doesn't break any new creative ground here but continues to refine his down-and-out persona. It's booze and broads, sex and violence, laughs and heartbreak. This 1978 album opens with an astonishingly desperate version of "Somewhere" (from "West Side Story"), performed like Louie Armstrong with a migraine. From there it's the usual Waits mix of crackpot wordplay and the cocktail lounge jazz likes of "Romeo Is Bleeding". --Steve Appleford
CD Description
After pefecting his seedy beatnik image on albums like SMALL CHANGE and NIGHTHAWKS AT THE DINER, Waits refined and expanded on it until the 1983 breakthrought of SWORDFISHTROMBONES. BLUE VALENTINE is full of low-rent nightlife imagery and arrangements that leave Waits' jazz leanings behind in favour of a more direct, blues-oriented approach. Lyrically, he'sat his most straightforward and narrative, with tunes like "$29.00" and "Christmas Card From a Hooker in Minneapolis" reading like dimestore detective novels. In a customary nod to tradition, he delivers a marvellously stentorian version of Bernstein's "Somewhere". Things close in a low-key fashionwith the spare,heart-rending title song, a ballad of shattered love.
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![Blue Valentine [VINYL]](http://ecx.images-amazon.com/images/I/31VCC18FYGL._SL75_SS50_.jpg) |
72% buy the item featured on this page: Blue Valentine [VINYL] |
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8% buy The Heart Of Saturday Night £4.98 |
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7% buy Small Change £4.98 |
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