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Dummy
 
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Dummy
~ Portishead (Artist)
4.6 out of 5 stars  (34 customer reviews)
Price: £4.98 & eligible for Free UK delivery on orders over £15 with Super Saver Delivery. See details and conditions
Availability: In stock. Dispatched from and sold by Amazon.co.uk.

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51 used & new available from £2.30

Frequently Bought Together

Customers buy this with Portishead ~ Portishead

Dummy Portishead
Price For Both: £10.95

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Product details
  • Audio CD (18 Jun 1999)
  • Number of Discs: 1
  • Label: Universal / Island
  • ASIN: B00004WL7O
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl
  • Average Customer Review: 4.6 out of 5 stars  (34 customer reviews)
  • Amazon.co.uk Sales Rank: 323 in Music (See Bestsellers in Music)

    Popular in these categories:

    #2 in  Music > Dance & Electronic > Trip Hop
    #5 in  Music > Dance & Electronic > Electronica
    #16 in  Music > Hip-Hop & Rap

Track Listings

1. Mysterons
2. Sour times
3. Strangers
4. It could be sweet
5. Wandering star
6. Numb
7. Roads
8. Pedestal
9. Biscuit
10. Glory box

Product Description
Amazon.co.uk Review
The collaboration of studio whiz Geoff Barrow and singer Beth Gibbons, Dummy was made at the same time as a short film noir called To Kill a Dead Man, and the same approach--gloomy, tormented, and wildly melodramatic--permeates the album. "Sour Times" (the hit in which Gibbons cries, again and again, "Nobody loves me, it's true") and the more cryptic "Glory Box" are the linchpins of the album, defining its sound: dark flashes of old soul and film music, dehumanised electronic bleeps, Gibbons emoting like she's consumed by shame, and a bass-and-beat pulse derived from the slow bump and grind of the Bristol scene that spawned Barrow's old collaborators, Massive Attack. --Douglas Wolk

Description
Named for a town near Bristol, England, Portishead is a British dance band that grabs ideas from all over the mod pop world (spaghetti Western guitars, turntable scratching, melancholy soul vocals, atmospheric organs, house beats) and stirs them into spacey, dub-like productions that sound like a dance club in the middle of a "Twin Peaks" dream. You could call it surreal hip-hop pop. But if the beats on the band's debut album achieve a kind of trance-like static, the songs themselves reach for something more rousing. With understatedlyrics and overstated melodies, singer Beth Gibbons and bandleader Geoff Barrow write insinuatingly melancholy dance ballads that ebb and flow like waves through rustling waters. Organs quaver in quiet tremolos, guitars emit squiggles and turntables hiccup, while Gibbons, in a high, cutting voice that evokes a less breathy Sinead O'Connor, sings songs of longing and heartbreak with equally palpable emotion.

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