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The Birth Of A Nation [1915] [DVD]
 
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The Birth Of A Nation [1915] [DVD]

DVD ~ Lillian Gish
4.2 out of 5 stars See all reviews (5 customer reviews)
RRP: £19.99
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What Do Customers Ultimately Buy After Viewing This Item?

The Birth Of A Nation [1915] [DVD]
85% buy the item featured on this page:
The Birth Of A Nation [1915] [DVD] 4.2 out of 5 stars (5)
£14.48
The Birth of a Nation [DVD] [1915] [Region 1] [US Import] [NTSC]
5% buy
The Birth of a Nation [DVD] [1915] [Region 1] [US Import] [NTSC]
Intolerance [1916] [DVD]
4% buy
Intolerance [1916] [DVD] 2.0 out of 5 stars (1)
£2.98
Triumph of the Will [1934] [DVD]
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Product details

  • Actors: Lillian Gish, Mae Marsh, Henry B. Walthall, Miriam Cooper, Mary Alden
  • Directors: D.W. Griffith
  • Writers: D.W. Griffith, Frank E. Woods, Thomas F. Dixon Jr.
  • Producers: D.W. Griffith, H.E. Aitken
  • Format: Black & White, PAL, Silent
  • Language English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Classification: 15
  • Studio: Eureka Entertainment
  • DVD Release Date: 21 Aug 2000
  • Run Time: 189 minutes
  • Average Customer Review: 4.2 out of 5 stars See all reviews (5 customer reviews)
  • ASIN: B00004UF0A
  • Amazon.co.uk Sales Rank: 11,246 in DVD (See Bestsellers in DVD)

    Popular in this category:

    #90 in  DVD > Drama > Historical

Reviews

Special Features
Region 2
Dolby Digital Stereo
The Making Of


Synopsis
This landmark film from silent director D.W. Griffith was the first movie blockbuster. However, it also reveals a horribly racist version of American history. The first part of the film chronicles the Civil War as experienced through the eyes of two families; the Stonemans from the North, and the Camerons of the South. Lifelong friends, they become divided by the Mason-Dixon line, with tragic results. Large-scale battle sequences and meticulous historical details culminate with a staged re-creation of Lincoln's assassination. The second half of the film chronicles the Reconstruction, as Congressman Austin Stoneman (Ralph Lewis) puts evil Silas Lynch (George Siegmann) in charge of the liberated slaves at the Cameron hometown of Piedmont. Armed with the right to vote, the freed slaves cause all sorts of trouble until Ben Cameron (Henry B. Walthall) founds the Ku Klux Klan and restores order and "decency" to the troubled land. While THE BIRTH OF A NATION was a major step forward in the history of filmmaking, it must be noted that the film supports a racist worldview. But there is no denying that it remains a groundbreaking achievement, setting a high watermark for film as an art form.

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Average Customer Review
4.2 out of 5 stars (5 customer reviews)
 
 
 
 
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17 of 18 people found the following review helpful:
4.0 out of 5 stars Dangerously Facinating, 9 April 2003
By A Customer
A truely facinating, but hughly alrming film. It is bemusing how a film which lasts over three and a half hours can be so compelling when there is not one word of spoken dialogue! However, the mastiful soundtrack somehow makes the lack of dialogue obsolete.
The story line covers the period of the American Civil War and is littered with huge amounts of racism; look out for the heroic intgerpretation of the Klu Klux Klan charging to the rescue to the "Ride of the Valcaries" in the latter part of the film.
However, the distastefull racist eliments of the film can be overcome when one looks at the film as a piece of cinematic history. The fact that this film was the first long feature film, the melodramatic style of acting, the use of sound track, editing and camera techniques make it a revolutionary film of it's age and well worth watching 88 years on.
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12 of 13 people found the following review helpful:
4.0 out of 5 stars Versions, 2 Nov 2003
By R. M. Macdonald - See all my reviews
(REAL NAME)   
It's a great nuisance the Connoisseur Video version is only on video, because to my mind it's considerably superior. This one lacks the tinted sequences (sepia in parts, red for the burning of Atlanta) and, much worse, the music sounds like the third form doing its best. That may, for all I know, be more authentic, but music is so important in a silent that this is authenticity I could do without. On the other hand, the sharpness and overall quality of the print is really quite amazing - especially compared to much more recent films such as Lost Horizon.
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30 of 35 people found the following review helpful:
5.0 out of 5 stars One of The Alltime Greatest Movies Ever Made, 17 Feb 2001
By roderick.hall@telia.com (Stockholm, Sweden) - See all my reviews
The first, and perhaps the greatest of the feature films, D.W. Griffith's wonderful and controversial film is a must have for anyone with any serious interest in cinema.

The beginning of the film deals with life in the old South, and much like Gone With The Wind, showed nothing of the harsh cruelty of slavery. However, this film does not bare the title 'Based on a true story' and so, as with the racist struggle at the end, with a little education, this may be judged purely in terms of cinematography. .. I simply saw it through Griffith's eyes, and could not help but give a broad smile many times at the wonderful atmosphere that the film created.

The film centres mainly around the Northern Stonemans and the Southern Camerons, and the relationship between them. The civil war presents some spectacular scenes, including the superb sequence where the eldest Cameron boy rushes forward to the front line towards the guns and rescues the Confederate flag. The horrors and tragedies of war are shocking, but spectacular. What follows is the heartbreak of loss, the surrender of General Lee, the beginning of the revenge that plagues the characters throughout the rest of the film and finally, April 14th 1865. Ford's Theatre is recreated, and one of history's greatest men is gunned down in a tragic scene.

The heroin of the film is a Northerner, played by the ravishingly beautiful Lillian Gish. Her love for the founder of the Ku Klux Klan creates an interesting situation. She condemns her lover but forgives him when the villain of the film, a mulatto named Syrus Lynch tries to force her into marriage and is rescued by our 'heroes' in white hoods. The eldest son of the Camerons founds the Ku Klux Klan, while the head of the Stonemans intends to crush the Southern whites by giving all the power to the blacks.

The film was condemned by blacks and white liberals and not without cause. Syrus Lynch, is given power after the end of the war and becomes Governor of South Carolina. He stands as a symbol for what will happen if the two races were to mix. Another of the bad guys is Gus, who harasses a white girl until she commits suicide to protect her honour. For the rest of the film, the blacks act as the villains while the Ku Klux Klan saves society and restores peace and justice to the land. It's a bit hard to take,.... I console myself by remembering that this film was made in unsympathetic times. It is advisable to read what really happened before seeing this film, but for those glorious 190 minutes, simply take this piece of cinema at face value and you will be the better for it.

This film changed history and movie history, as the Ku Klux Klan rose again in response to it, and the days of the one reeler films came to a close. There have been other films of this quality, but they can be counted on one hand. The Birth of A Nation is an utter masterpiece with no faults other than its political incorrectness. bfi films have painstakingly restored this masterpiece to its full, rich and deserved glory and the result is a superb and delightfully entertaining work of pure genius... It has not aged at all and I cannot recommend it enough. Buy it now!

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Most Recent Customer Reviews

4.0 out of 5 stars Groundbreaking, but of its time...
...Previously, the cinema consisted of short one or two-reelers, which would not have lasted more than forty minutes, whereas The Birth of a Nation weighs in at a hefty three... Read more
Published on 22 Oct 2000

4.0 out of 5 stars Heavy-going but ultimately rewarding
A tad long for a silent and also the film has physically aged in quality, but an interesting perspective of the American Civil War and it's aftermath, shot a mere 50 yrs after... Read more
Published on 4 Jun 2000 by Jonathan Bryce

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