Most Helpful Customer Reviews
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20 of 20 people found the following review helpful:
5.0 out of 5 stars
Child and Expertise for rent..., 26 Nov 2000
By A Customer
The first film in the fantastic "Lone Wolf & Cub" series... this film details the framing and exile of the Shogun's exectutioner Itto Ogami, the murder of his wife, and his first assignment as an assassin who walks the road to hell... with his young son Daigoro in tow. This is essential background plot material for the following 5 films. _Very_ gory, but some truly excellent swordfight choreography.As for the DVD itself, it is based on the AnimEigo print, which means it is a) in Japanese Language and b) has excellent English subtitles and occsionally some supertitles with information on Japanese terms. The subtitles are burned into the print (but in the "black bars" so it doesn't conceal any of the action), and so cannot be turned off. It is in Widescreen format (1.85:1 I think) and picture quality is ok, but certainly not crystal clear... it is slightly blurry, hazy, very dark and a little grainy. Extras are almost non-existant; The only extras included are Synergy's own trailers for the other 5 films. If you have only seen this film as "Shogun Assassin" I'd sincerely recommend watching this film and "Babycart at the River Styx", as Shogun Assassin was a dubbed edit of these two films.
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15 of 15 people found the following review helpful:
5.0 out of 5 stars
A journey through hell, 24 Jan 2003
The samurai, as most will know, were japanese warriors from a particular period of history who became lethally proficient in the use of bow and sword. They are a particularly rich seam for storytellers to mine with their near-godly status, military prowess and adherence to strict honour codes. Sword of Vengeance takes a very high ranking samurai (the Shogun's assassin no less) and sends him on a path through a violent hellish world of brooding intensity interspersed with moments of extreme bloodletting. To be quite honest plotlines in this kind of film are never likely to be particularly subtle, and they're not supposed to be. Most artistic effort is put into creating an atmosphere of constant mortal danger which is expanded further by the fact that the samurai has his very cute toddler son with him even in the most violent and dangerous of confrontations. As our hero marches a steady path towards the vengeance he craves the forces of evil whirl around him yet he faces each new foe with the same quiet intensity. One particular scene which demonstrates the strength of this samurai is as follows. Our hero (Lone Wolf)is sat face to face in a meeting with his back to an open door, two would be killers attack suddenly from behind armed with swords. You'd expect Lone Wolf to rise turn and face them but he remains seated staring at the same spot he was during the meeting. However sitting in this position he draws his sword, parries one attack and kills the first assailant with a slash to the chest in one move and finishes the other off before he can get an attack in and then gracefully resheathes his sword. The two dead men topple slowly to the floor....The quality of the film print might be a little ropey but the subtitles make more sense than one might expect. Overall this is a worthy addition to anyones film collection as are the other 5 films in the series. Well paced, beautifully realised storytelling with A LOT of blood.
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12 of 12 people found the following review helpful:
4.0 out of 5 stars
Kazuo Koike adapts Lone Wolf & Cub to the big screen, 7 Jan 2005
I spent severl months reading one chapter of the manga epic "Lone Wolf and Cub" by Kazuo Koike and Goseki Kojima each night. When the story was over it became time to turn to the six films adapted from the celebrated comic book. "Kozure Ôkami: Kowokashi udekashi tsukamatsuru" ("Lone Wolf and Cub: Sword of Vengeance") is the first of these films and it is fascinating to look at what specific stories Koike decide to use as the basis for this first film.The basic narrative framework of "Sword of Vengeance" is taken from the eighth episode, "Wings to the Bird Fangs to the Beast," where Okami Itto (Tomisaburo Wakayama) and Daigoro (Akihiro Tomikawa) cross a rickety bridge and enter the Gomori-Juku Hot Springs Spa. The place has been taken over by brigands and Lone Wolf seems oblivious to what is going on until he decides to come to the aid of Osen (Tomoko Mayama), a prostitute pickpocket. This is an extremely interesting choice to be the main story for this film since it has nothing to do with why Ogami Itto is walking the assassin's road. "Sword of Vengeance" also includes the two pivotal backstory episodes from the magna series (although there are elements from a few others, mostly involving foreshadowing). In "The White Path Between the Rivers" (the seventeenth), Ogami Itto serves as the Kogi Kaishakunin execution to act as second to a young lord's seppuku and then finds himself the victim of Yagyu intrique that results in the death of his wife, Azani (Reiko Kasahara) and his implication in an act of treason. Then in "The Assassin's Road" (the ninth) where Daigoro choose to walk the path with his father, refuses to commit seppuku, and confronts Retsudo Yagyu (Tokio Oki) for the first time. Koike and director Kenji Misumi keep the sex and violence from the manga intact. There are lots of fountains of spurting blood as Ogmai Itto slays his foes with his Dotanuku sword. Tomisaburo Wakayama is a stockier Ogami Itto than what was drawn (I thank Frank Miller's cover for Volume 3 of the manga is clearly based more on the actor than Kojima's drawings of Lone Wolf), but he captures the deadly silence of the assassin. Tokio Oki looks more like a Kabuki figure as Retsudo, but that is certainly within the tradition of samurai films (at least of those I have seen not made by Akira Kurosawa). Still, it is the script that I keep coming back to when I mull over this film, espeically Koike's decision to make "Wings to the Bird Fangs to the Beast" the centerpiece of the film. It makes me wonder what Stan Lee would have done if he had written the Spider-Man movie. I doubt he would have been able to bring the story to the screen as intact as Koike is able to do with "Sword of Vengenace." No film could be as good as the original manga, but this certainly does not do the Lone Wolf and Cub story.
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