Amazon.co.uk Review
Derided as a joker, dismissed as an indie elitist--few believed the hype that frothed from critical mouths about Damon Gough, a bleary-eyed, bestubbled Mancunian with an acoustic guitar and a shambolic stage manner. But
The Hour Of The Bewilderbeast--the debut album by Gough's alter-ego, Badly Drawn Boy--is utterly superb, an 18-track collection of futurist folk as intimate and well crafted as Nick Drake's
Bryter Later. Gough leads a backing band comprising Mancunian post-folk chums Alfie, and together they unveil a breed of rock entirely without bombast--the intimate folds of "Stone On The Water" entrancing, rather than bludgeoning. And it's funny, too. "I'm dying..." Gough announces on "Everyone's Stalking". And then, bourne up on a swell of parping brass, he finishes the sentence with relish: "To put a little sunshine in your life!" Droll, yet touching, seldom immediate, but forever sublime.
The Hour Of The Bewilderbeast weaves quiet, but affecting, spells.
-- Louis Pattison
CD Description
Garnering Britain's coveted Mercury Prize in 2000, THE HOUROF BEWILDERBEAST announced the arrival of Badly Drawn Boy (AKA Damon Gough), the most gleefully eccentric singer/songwriter the UK had seen in decades. With his ever-present multi-coloured knit cap, loopy stage presence, and an arsenal of beautifully ramshackle songs, Gough charmed listeners with BEWILDERBEAST's surprisingly eclectic array of songs.
Beginning with the utterly gorgeous, string-laden "The Shining",the album takes a sharp turn into lo-fi rock with "Everybody's Stalking", eventually moving on to the melancholy folk of "Stone on the Water", the shimmering jazz-pop of "Once Around the Block", and the delirious funk of "Disillusion". Although Gough occasionally borders on being too quirky for hisown good, he always sets up enough loose boundaries to keepthe music from wandering too far off the mark. An album of striking energy and originality, BEWILDERBEAST cements BadlyDrawn Boy's reputation as an intriguing performer.