Breaker Morant [VHS] [1980]

Edward Woodward, sheathed in a corset for this film, is a dubious figure as a horse breaker, but displays a superb vehemence in his desire for vengeance for the mutilation of his friend. He recites The Breaker's poetry with sincere feeling and his final lines were delivered with the strength Morant displayed throughout his life. Morant's throwaway line to George Witton as the latter's being led off to prison that the trio were 'scapegoats of empire' became the title of Witton's account of the episode. Bryan Brown's portrayal of Handcock is almost certainly speculative, but he carries off the attitude of a loyal subordinate with style. The Bushveldt Carbiniers were a novel organization [the British introduced the concentration camp in South Africa as well as this irregular cavalry force], and Brown conveys the insecurity this force must have felt in operating in hostile territory.

It is Jack Thompson who deserves the highest accolades for a performance in this movie. How this country solicitor really performed in the courtroom is immaterial [although Witton's book gives Thomas' full praise for his efforts to clear the officers]. Thompson renders superbly the role of a man striving for justice against a clearly stacked deck.

This film may be about the Boer War, but that's wholly immaterial - it's a universal issue. Massive organizational power rendered against hapless individuals covers all levels of life, from military to corporate. Breaker Morant offers a multitude of lessons for anyone questing for justice. The Breaker's fate was a setback in that quest, but his story, superbly told to a world more willing to investigate such incidents for truth. Please view this film, have a think, then buy it and pass it to a friend. Then do the same with GALLIPOLI. [stephen a. haines - Ottawa, Canada]

"Breaker Morant" was directed by Bruce Beresford, who along with Jonathan Hardy and David Stevens was nominated for an Oscar for Best Writing, Screenplay Based on Material from Another Medium for adapting Kenneth G. Ross' stage play. This movie also had one of the best trailers I have ever seen and it is impossible to forget Woodward's voice declaring, "We were out on the veldt fighting the Boer the way the Boer fought us." Bryan Brown plays one of the other defendants, but this is Woodward's film even when he is reduced to doing nothing more than sitting in his chair and letting the farce plays itself out to the end (Do not ask me to explain why it was Thompson and not Woodward who won the Australian Film Institute's award for Best Actor in a Drama that year). The conclusion of the film is simple yet powerful: we watch the final scene listening to the last poem written by Morant and then Woodward singing a British military song that hammers home the irony of the film.