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Track Listings
| 1. The Song Of Songs: II. The Second Day: The Shulamite - Laelia Finneberg | |||
| 2. The Song Of Songs: II. The Second Day: My Beloved Spake, And Said Unto Me... - Laelia Finneberg | |||
| 3. The Song Of Songs: II. The Second Day: Arise, My Love, My Fair One, And Come Away, And Come Away... - Laelia Finneberg | |||
| 4. The Song Of Songs: II. The Second Day: Take Us The Foxes, The Little Foxes, That Spoil The Vines... - Laelia Finneberg | |||
| 5. The Song Of Songs: II. The Second Day: Orchestral Interlude - Laelia Finneberg | |||
| 6. The Glory Of The Sun - London Promenade Orch/Walter Collins | |||
| 7. Macbeth: Ov - Metropole SO/Dolf Van Der Linden | |||
| 8. Circus Life: Ov - London Promenade Orch/Walter Collins | |||
| 9. Four Chinese Landscapes: 1. Distant Mountains And The Wild Geese - London Promenade Orch/Walter Collins | |||
| 10. Four Chinese Landscapes: 2. Mist Over The Village - London Promenade Orch/Walter Collins | |||
| 11. Four Chinese Landscapes: 3. Fisherman Play Their Flutes - London Promenade Orch/Walter Collins | |||
| 12. Four Chinese Landscapes: 4. Anchoring At Evening - London Promenade Orch/Walter Collins | |||
| 13. Russian Scenes - 3: Polka - BBC Welsh Orch/Mansel Thomas | |||
| 14. King Solomon: Processional - London Promenade Orch/Sir Granville Bantock | |||
| 15. King Solomon: Narration - Harman Grisewood | |||
| 16. King Solomon: Choral Hymn: Praise Ye The Lord (Psalm XLVIII) - London Select Chor | |||
| 17. Songs Of Egypt: The Invocation To The Nile - Leila Megane | |||
| 18. Songs Of Egypt: Lament Of Isis - Leila Megane | |||
| 19. Songs Of Egypt: Now (Song) - Frank Mullings | |||
| 20. Pilgrim's Progress: The Pilgrim Now Hath Found His Lord - Nat Chor | |||
See all 24 tracks on this disc
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Product Description
Rob Barnett, Music on the Web
The disc is rounded out by the voice of Bantock speaking about his idol, Sibelius. This generous disc deserves to do well and I recommend it to Bantock fanciers and anyone caught up by the diversity and inventiveness of British music in the 1910s and 1920s. Bantock had little time for nobilmente or pastoralism or jazz. Instead his very evident models were Tchaikovsky, Strauss, Sibelius and the Gaelic hegemony. More strength to Dutton and the Bantock Society.
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