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Track Listings
| 1. Feste Romane - Ottorino Respighi |
| 2. Pini Di Roma - Ottorino Respighi |
| 3. Suite for "Le Coq d'or" - Nikolai Rimsky-Korsakov |
| 4. Feste romane: La Befana - Epiphany |
| 5. PINI DI ROMA: I pini di Villa Borghese - At the Villa Borghese |
| 6. PINI DI ROMA: Pini presso una catacomba - By a catacomb |
| 7. PINI DI ROMA: I pini del Gianicolo - On the Janiculum |
| 8. PINI DI ROMA: I pini della Via Appia - On the Appian Way |
| 9. Suite from 'Le Coq d'or': King Dodon in his palace - Le tsar Dodon chez lui |
| 10. Suite from 'Le Coq d'or': King Dodon on the battlefield - Le tsar Dodon en campagn |
| 11. Suite from 'Le Coq d'or': King Dodon with the Queen of Shemakha - Le tsar Dodon chez la reine |
| 12. Suite from 'Le Coq d'or': The marriage feast and lamentable end of King Dodon - La Noce et la fin pitoyable de Dodon |
On this CD:
-
Feste romane, 'Roman Festivals'
Composed by Ottorino Respighi
Performed by Cleveland Orchestra
Conducted by Lorin Maazel
-
Pini di Roma
Composed by Ottorino Respighi
Performed by Cleveland Orchestra
Conducted by Lorin Maazel
-
(The) Golden Cockerel
Composed by Nikolay Andreyevich Rimsky-Korsakov
Performed by Cleveland Orchestra
Conducted by Lorin Maazel
Product Description
Amazon.co.uk Review
More sonic blockbusters from the Decca vaults. Both the Respighi tone poems in particular receive stunningly realistic and wide-ranging treatment from the recording engineers, while the Clevelanders respond with jaw-dropping discipline and sophistication. In Feste romane, Maazel uncovers more ear-burning detail within Respighi's kaleidoscopic orchestral canvas than any other rival (listening with the miniature score to hand is nothing short of a revelation). The results are intensely refreshing, if perhaps just a little heartless. Similarly, Pines of Rome brings another giddily assured display, aptly overwhelming in its sense of all-engulfing spectacle, yet ravishingly beautiful too in the fragrant third section (at the close of which Respighi magically incorporates the sound of a genuine nightingale). The luxuriant sheen of the Cleveland strings both here and in the gorgeous third movement of the orchestral suite from Rimsky-Korsakov's final opera The Golden Cockerel remains a thing of wonder, as are the breathtaking co-ordination and bite these artists bring to King Dodon's demise in the closing tableau. Elsewhere, Maazel wrings every drop of "once upon a time" wonder from Rimsky's fantastical inspiration, and Decca's 1979 sound is fabulously rich and glowing to match. --Andrew Achenbach
More sonic blockbusters from the Decca vaults. Both the Respighi tone poems in particular receive stunningly realistic and wide-ranging treatment from the recording engineers, while the Clevelanders respond with jaw-dropping discipline and sophistication. In Feste romane, Maazel uncovers more ear-burning detail within Respighi's kaleidoscopic orchestral canvas than any other rival (listening with the miniature score to hand is nothing short of a revelation). The results are intensely refreshing, if perhaps just a little heartless. Similarly, Pines of Rome brings another giddily assured display, aptly overwhelming in its sense of all-engulfing spectacle, yet ravishingly beautiful too in the fragrant third section (at the close of which Respighi magically incorporates the sound of a genuine nightingale). The luxuriant sheen of the Cleveland strings both here and in the gorgeous third movement of the orchestral suite from Rimsky-Korsakov's final opera The Golden Cockerel remains a thing of wonder, as are the breathtaking co-ordination and bite these artists bring to King Dodon's demise in the closing tableau. Elsewhere, Maazel wrings every drop of "once upon a time" wonder from Rimsky's fantastical inspiration, and Decca's 1979 sound is fabulously rich and glowing to match. --Andrew Achenbach
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