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14 of 15 people found the following review helpful:
5.0 out of 5 stars
Ivan the Terrible, 29 Sep 2003
IVAN THE TERRIBLEThis film really shouldn't work, should it? The story of a meglomaniac, shot in black and white (and a bit of colour), with stagey acting, ropey sound and subtitles? Yet it is one of the most gripping and haunting films ever made. Essentially, it tells the story of a Russian Tsar who struggles to unite his country and expand her boundaries; in imposing his will on internal and external enemies he descends into paranoia and cruelty. It is a psychological and political thriller, and a moral tale (try to force people to your will and you end up alone and mad). It might seem odd to us now that such a figure could be offered as a hero for the Russians during the Second World War; and the ironic parallel between the lives of Ivan and that of Stalin was sufficiently close to cost the director his life. Filmed in severely restricted circumstances, the underground locations give a claustrophobic intensity to the film. Eistenstein makes full use of a range of lighting techniques, sharp contrasts, shadows and candlelight. The actors, struggling in the cold to meet his demands to take up ever more uncomfortable positions, deliver extraordinary images and astonishing performances, especially Pavel Kadochnikov as the Stan Laurelesque half-wit, Seraphima Birman as the Auntie from Hell and Nikolai Cherkasov as Ivan. If this man had been an American he would have strolled off with an Oscar. The stye of acting may seem melodramatic, even unintentionally funny. Just remind yourself that there are other ways to tell a story apart from pseudo-realism, and these guys are totally committed. Bear with this film. After 10-15 minutes, you will be utterly gripped until the end of Part 2. Oh, and the music is by Prokoviev.
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