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The Name Of The Rose [1986] [VHS] [1987]
 
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The Name Of The Rose [1986] [VHS] [1987]

VHS ~ Jean-Jacques Annaud|Sean Connery|F. Murray Abraham|Christian Slater
4.0 out of 5 stars See all reviews (15 customer reviews)

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7 new from £2.48 22 used from £0.01 2 collectible from £4.50

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Product details

  • Actors: Jean-Jacques Annaud|Sean Connery|F. Murray Abraham|Christian Slater
  • Format: Dolby, PAL, Surround Sound
  • Language English, Latin
  • Classification: 18
  • Studio: 4 Front Video
  • Run Time: 123 minutes
  • Average Customer Review: 4.0 out of 5 stars See all reviews (15 customer reviews)
  • ASIN: B00004R6AB
  • Amazon.co.uk Sales Rank: 5,982 in Video (See Bestsellers in Video)

Product Description

Amazon.co.uk Review
Jean-Jacques Annaud's The Name of the Rose is a flawed attempt to adapt Umberto Eco's highly convoluted medieval bestseller for the screen, necessarily excising much of the esoterica that made the book so compelling. Still, what's left is a riveting whodunit set in a grimly and grimily realistic 14th-century Benedictine monastery populated by a parade of grotesque characters, all of whom spend their time lurking in dark places or scuttling, half-unseen, in the omnipresent gloom. A series of mysterious and gruesome deaths are somehow tied up with the unwelcome attention of the Inquisition, sent to root out suspected heretical behavior among the monastic scribes whose lives are dedicated to transcribing ancient manuscripts for their famous library, access to which is prevented by an ingenious maze-like layout.

Enter Sean Connery as investigator-monk William of Baskerville (the Sherlock Holmes connection made explicit in his name) and his naive young assistant Adso (a youthful Christian Slater). The Grand Inquisitor Bernado Gui (F. Murray Abraham) suspects devilry; but William and Adso, using Holmesian forensic techniques, uncover a much more human cause: the secrets of the library are being protected at a terrible cost. A fine international cast and the splendidly evocative location compensate for a screenplay that struggles to present Eco's multifaceted story even partially intact; Annaud's idiosyncratic direction complements the sinister, unsettling aura of the tale ideally. --Mark Walker

Synopsis
Based on the bestseller by Umberto Eco, in which Sean Connery plays the part of the brilliant English monk William of Baskerville, who must solve a series of bizarre murders at a medieval monastery. Set in Italy in 1327. Also available as part of a double feature. See 'Medicine Man / The Name Of The Rose'.


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Customer Reviews

15 Reviews
5 star:
 (8)
4 star:
 (3)
3 star:    (0)
2 star:
 (4)
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Average Customer Review
4.0 out of 5 stars (15 customer reviews)
 
 
 
 
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57 of 61 people found the following review helpful:
5.0 out of 5 stars Brilliant atmospheric Medieval murder mystery., 20 Aug 2004
By russell clarke "stipesdoppleganger" (halifax, west yorks) - See all my reviews
(TOP 50 REVIEWER)      
Adapted from Umberto Eco, s award winning wordy novel The Name of the Rose is a sombre gloomy thriller set in a Benedictine Abbey high in the Italian Appennino Mountains during the 14th century.
Told from the perspective of a now elderly Azdo of Melk who narrates part of the script, we learn he was once a gauche apprentice to Brother William of Baskerville (A sly nod to Conan Doyle surely.), an erudite Franciscan Monk with highly developed powers of deductive reasoning. This Medieval Crackers singular talent is called upon when after arriving at the forbidding Abbey to attend a Seminary on "Wether or not Christ owned his own clothes?" a series of bizarre murders occur. The Head of the Abbey Father Abbot, played by a sibilantly murmuring and creepy Michael Lonsdale, asks Baskerville to discreetly investigate before the arrival of the Inquisitor Gui who has a nasty habit of torturing and burning ostensibly innocent people. Baskerville, wonderfully portrayed by Sean Connery as a man of considerable learning with a penchant for sudden outbursts of almost childlike enthusiasm, dispenses the benefit of his perceptive analysis of the situation to his eager charge who in turn has his head turned by a feral but attractive girl who scrounges for scraps of food disposed of by the well tended brothers. Christian Slater forgoes his vanity to play the young Adzo complete with Peter Beardsley bowl cut and the requisite bald patch and is suitably wide eyed with wonder one minute and intimidated the next.
The film starts out as an intriguing whodunnit but with the arrival of the sadistic Gui the tone suddenly turns darker as he targets the unfortunate girl and a mentally challenged Brother (Ron Perlman..superb) because they haven't the means to defend themselves, naturally much to the consternation of Baskerville.
This is a superb atmospheric movie. The Monastery is a suitably bleak and labyrinthine, it radiates hidden frigid menace and the Brothers are a truly bizarre collection of individuals, like a meeting of Terry Gilliam grotesques. Connery has stated he was never as cold on a film set as he was during the filming of The Name of the Rose and you can tell. The acting is all spot on and the direction by Jean Jacques Anaud lets the story flow in a naturalistic unfussy manner. The ending is touching in a subtle almost poetic way
It's terrific that a film as individual and compelling as this is at last being released on DVD and hopefully more will follow. Can I request through these pages the immediate release of "To Live and Die in L.A."? "Hardware", "Talk Radio" and "Scandal". But for now those of us with a love for films that eschew the formulaic Hollywood norm this is a must have five star release,
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20 of 22 people found the following review helpful:
5.0 out of 5 stars Horror in the hills..., 29 Sep 2004
This film is one of those that stands out to me as Connery at his best ... and also not Connery. Typically in his films he's a dominant, hero, who charges forth to save the day. In Name of the Rose he's reserved, humble and most importantly he's not Connery. Although a mystery this film handles human nature, explores the role of the church in developing (Or in this case not developeing) the western world, examines sexuality and by and large is a wonderful piece of cinema.

With todays films being manufactured to carefully examined research on what viewers want, it's these older films that were crafted for love of story and picture that stand out for me. Name of the Rose is superbly shot, with breathtaking accuracy. One feels cold, isolated, muddy, and in a different world. Christian Slatter makes his film debut as the novice and to my mind really shows us that he is one hot actor.

All in all Name of the Rose is one for the collection, to be watched and appreciated as a solid piece of film making.

I highly recommend it.

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26 of 29 people found the following review helpful:
5.0 out of 5 stars Moody Medieval Whodunnit, 31 Jan 2003
By MarmiteMan (Norwich, England) - See all my reviews
(TOP 1000 REVIEWER)   
Bit of an oddity, this filmed version of the 14th Century whodunnit written by Umberto Eco (Travels In Hyper-reality, Foucault's Pendulum, The Island Of The Day Before), University of Bologna Professor of Semiotics (a disputed 'scientific branch of philosophy' first posited by Ferdinand de Saussure). A pan-European co-production, "Curious, remote, randomly developed and edited, [...] can never have been an obvious candidate for box-office success: yet it did pretty well."

Both moody and gloomy (there is very little daylight throughout the film), it is more or less narrated by a mature Adzo of Melk, who as a young Franciscan noviciate (Christian Slater) accompanies John of Baskerville (Sean Connery; Oscar-nominated for Best Actor) to an isolated Benedictine abbey high in the bleak northern Italian Appennino mountains to engage, along with delegates from other monastic Orders, in discourse upon "whether or not Christ owned his own clothes." [Believe it or not, such scholastic debate was not uncommon at the time. A century later, upon the onset of the Renaissance, another profound debate occurred when artists considered whether or not Adam should be depicted with a navel ... or not ...].

Unfortunately, whilst there, the second in a spate of mysterious - and 'prophesized,' of course - deaths occurs, prompting the Benedictine Father Abbot (the ever soft-spoken Michael Lonsdale) to ask John of Baskerville to - discreetely, of course - apply his known gift of deductive suppositioning to explain these deaths, before the feared Inquisitor Bernardo Gui (F. Murray Abraham) arrives and starts burning people. Applying Socratic reason and dropping witticisms and bon mots to his young charge, John of Baskerville (is the Doylean name significant, one wonders!) pokes around the incredible squalour of every-day monastic life (the abbey makes the Bates Motel seem idyllic), in the face of mounting scepticism (Gui produces a simple local girl with a black cat - 'clear proof' surely of satanic possession, demonic skulduggery and Whore of Babylon guilt!), until the mystery is unravelled.

NOTE: unregarded by general opinion, the Papal Inquisition, granted by Pope Gregorius IX in 1231 to 'inquisitors' drawn from the Dominican and Franciscan Orders, existed long before both the better-known Spanish Inquisition [1479] and the fanatical Societá de Jesu, the Society of Jesus (or Jesuit Order) [1534-40], came into being. It authorized the auto da fé ('act of faith') burnings at the stake usually associated with the Spanish Inquisition.

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Most Recent Customer Reviews

5.0 out of 5 stars An intelligent, atmospheric and philosophical classic of modern cinema
This is a splendidly crafted film which makes much use of atmosphere and colour. It is set in early medieval times in the backdrop of a rather forbidding northern Italian... Read more
Published 6 months ago by John Hawkins

2.0 out of 5 stars In the name of the bad film
I was being lazy when I chose to rent this DVD. I've decided to make a short cut and not to read the source novel (because anyone who's read Umberto Eco's wordy work will... Read more
Published 12 months ago by Trionon

4.0 out of 5 stars A good adaptation
The source novel being perhaps my favourite of all time, I'm glad to report that this is a film adaptation that is faithful to the essence and the key elements of Eco's book. Read more
Published 16 months ago by Rohypnol and Diet Coke

4.0 out of 5 stars Kind of slow, always interesting, very atmospheric
The atmosphere in Name of the Rose is brilliant. A murky palette of greys and browns dominate the landscape, perfectly echoing the barron natures of the corrupt and morally... Read more
Published 19 months ago by Jazzman

5.0 out of 5 stars Missed it first time around but now I've seen it twice!
This movie was so good that when it came to an end I watched it all over again. Excellent.
Published 22 months ago by PatMcD

2.0 out of 5 stars More stodgy than a monk's porridge
I haven't read the book, but feel the film is just too stodgy. It concentrates too much on mood and atmosphere, tries too hard to be literate, feels clumsy, and but for some good... Read more
Published 23 months ago by Lou Knee

4.0 out of 5 stars Dank, cold life in a medieval monastery, with murders solved by William of Baskerville
"But what is so alarming about laughter?" asks William of Baskerville (Sean Connery) of the aged, righteous, milk-eyed monk, Jorge de Burgos (Feodor Chaliapin, Jr.). Read more
Published 23 months ago by C. O. DeRiemer

2.0 out of 5 stars To avoid disappointment, read the book instead.
Never judge a book by its DVD. Or you'll make the mistake of thinking the book of this film to be one hollow shell. Read more
Published on 25 April 2007 by mad_mushroom

2.0 out of 5 stars doesn't get the gist
Anyone who's read this book--I mean REALLY read it--should know that it's not simply about a monk who goes to an abbey and there's a fire and books get burned, etc, etc,etc. Read more
Published on 11 Dec 2006 by puma

5.0 out of 5 stars What's in a name?
This film is a fascinating combination of modern and medieval elements. The setting is an abbey, whose name according to the narrator, 'it seems pious and prudent to omit'. Read more
Published on 21 Dec 2005 by Kurt Messick

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