Videodrome [VHS] [1983]

In 'Videodrome', James Woods plays a Canadian television entrepreneur, a man who provides material - usually suspect, often porn - for cable TV. In the course of his seedy research he finds a pirate broadcast of a strange, compelling programme. The torture and masochism he glimpses as the programme hisses and breaks up is ... well, it looks real. Or is it just incredibly well made, with the interference and fluctuating picture quality just an example of good engineering and clever directing, simulating clandestine status to give the show a bit of edge?

Woods teams up with a radio broadcaster (Debbie Harry) to investigate. They tune in, turn on, and drop into an underworld of research and exploration which exposes human vulnerability to the influence of television. Maybe it doesn't just have a numbing effect on the brain ... maybe it can take over your body ... maybe the broadcast can become flesh as TV and reality merge? This is television as an acid trip.

An engrossing movie, playing off its own ironic take on the ability of film and television to confuse, mislead, misinform, or corrupt. Cronenberg speculates on the impact of television by taking you into the surreal, asking you to suspend your disbelief ... then question your belief.

Woods' character is sated by all the garbage he's seen. Nothing surprises him any more. He needs something weird, something even more shocking than porn. Do people really need to be shocked? Given the mind-numbing diet of reality TV to which we've been subjected in recent years, maybe Cronenberg is wrong. Television doesn't have to push us to the extreme ... it can destroy our minds with monotony instead.

But 'Videodrome' takes us beyond the unreal. Consider how much of your understanding and experience of the world is based on television news. The truth, and its corruption, is out there, and can come at you through your television screen. The moment we accept reality as what the television portrays, that's the moment it takes over our bodies as well as our minds.

A disturbing, thought-provoking, hugely entertaining film. Like many of Cronenberg's movies, though, you'll either love it or hate it. He's a man who doesn't seem to allow much room for a middle way. If you enjoy the unusual, if you appreciate the surreal, if you like to be challenged and explore irony, this may be a movie you'll love.

The commentary on the potential effects of video/violence and pornography is fascinating and in typical Cronenberg style, it all ends badly with much gore and violence. Extremely thought provoking and perhaps even more relevant today, in light of the power of the media and TV to influence our perception of different events.

Watch and be propelled into a dangerous underground world of S&M, violence and a quest for the truth that ends in tragedy.

Superb and obviously worth the modest price. Just be careful - 'it bites'!!

In 'Videodrome', James Woods plays a Canadian television entrepreneur, a man who provides material - usually suspect, often porn - for cable TV. In the course of his seedy research he finds a pirate broadcast of a strange, compelling programme. The torture and masochism he glimpses as the programme hisses and breaks up is ... well, it looks real. Or is it just incredibly well made, with the interference and fluctuating picture quality just an example of good engineering and clever directing, simulating clandestine status to give the show a bit of edge?

Woods teams up with a radio broadcaster (Debbie Harry) to investigate. They tune in, turn on, and drop into an underworld of research and exploration which exposes human vulnerability to the influence of television. Maybe it doesn't just have a numbing effect on the brain ... maybe it can take over your body ... maybe the broadcast can become flesh as TV and reality merge? This is television as an acid trip.

An engrossing movie, playing off its own ironic take on the ability of film and television to confuse, mislead, misinform, or corrupt. Cronenberg speculates on the impact of television by taking you into the surreal, asking you to suspend your disbelief ... then question your belief.

Woods' character is sated by all the garbage he's seen. Nothing surprises him any more. He needs something weird, something even more shocking than porn. Do people really need to be shocked? Given the mind-numbing diet of reality TV to which we've been subjected in recent years, maybe Cronenberg is wrong. Television doesn't have to push us to the extreme ... it can destroy our minds with monotony instead.

But 'Videodrome' takes us beyond the unreal. Consider how much of your understanding and experience of the world is based on television news. The truth, and its corruption, is out there, and can come at you through your television screen. The moment we accept reality as what the television portrays, that's the moment it takes over our bodies as well as our minds.

A disturbing, thought-provoking, hugely entertaining film. Like many of Cronenberg's movies, though, you'll either love it or hate it. He's a man who doesn't seem to allow much room for a middle way. If you enjoy the unusual, if you appreciate the surreal, if you like to be challenged and explore irony, this may be a movie you'll love.

But for those of you already converted, the Special Edition offers a compulsive package of extras - commentaries, featurette, a documentary, interviews, and an enthralling discussion of the nature of horror. Excellent package.