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9 of 10 people found the following review helpful:
4.0 out of 5 stars
don't forget fred mcmurray, 24 Mar 2005
I don't want to take issue with the claim that Bogart is the best actor in the cast (review above), but you can't overlook the underrated Fred McMurray (yes, as in Flubber and the TV series My Three Sons). Lovers of the novel will know that it is Keefer, not Queeg (Bogart) who is the real villain. At the end of the day, Queeg is no more than an ordinary man promoted beyond his competence; it is the cynical, superficially witty novelist Keefer who provokes the mutiny, and having led less clever, more honest men to this dangerous end, carefully distances himself from any responsibility. McMurray turns in the slimiest of performances, outdoing even his overbearing bullying boss in Wilder's The Apartment (with Jack Lemmon and Shirley Maclaine). A truly memorable screen villain, all the more powerful for coming from an actor better known for light comedy.Jose Ferrer, as the defence counsel, Greenwald, deserves an honourable mention as well. No mere two hour film could do justice to the richness and subtlety of Wouk's novel, but this is as decent a stab as you could hope for.
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5 of 6 people found the following review helpful:
5.0 out of 5 stars
Truly Gripping Bogart!!!, 15 Sep 2003
This is a masterpiece of cinema. A MUST SEE, hands down. The beauty of it is that although Bogart is obviously the best actor in the cast--- he was more than content to play someone not in control and be more in the background than he was accustomed to doing. The scene in the courtroom is a classic, tense and gripping! The famous scene is well remembered for Bogie's losing it all and yet unsuccessfully trying to hold himself in check by rotating a pair of metal marbles...showing through his insanity. This is a must have for any classic film collector and a crowning jewel for Bogart. Don't miss this one!!!
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Those yellow stain blues..., 11 Sep 2009
Starring Humphrey Bogart in one of his best and most famous film roles, The Caine Mutiny was directed by Edward Dmytryk in 1954, and is based on an acclaimed novel by Herman Wouk; however, far from being an integral part of a larger triumph, Bogart's highly impressive performance is largely responsible for all the plaudits this otherwise unfocused and overrated movie often receives.
Bogart stars as Lieutenant Commander Phillip Francis Queeg, a Naval officer who is placed in charge of the badly-maintained and slackly run USS Caine. Whilst his initial attempts to restore order and enforce Navy regulations on board the ship meet with some success, Queeg quickly betrays a psychological instability that manifests itself repeatedly before the increasingly worried crew; he eventually suffers a mental breakdown during a terrifying storm, and when his Executive Officer, Lieutenant Maryk (Van Johnson), takes control of the ship, he finds himself on a charge of mutiny...
Bogart, who campaigned heavily for this role, is highly impressive as he displays Queeg's gradual descent into extreme paranoia and cowardice; ostensibly the 'villain' of the film, it is impossible not to feel a great deal of sympathy for Queeg as he suffers the scorn of his officers, becomes the butt of his crew's jokes, and eventually goes to pieces whilst giving evidence against Maryk at his court-martial. Unlike, say, Edward Albert's deliberately vile performance as the wretched Captain Cooley in Robert Aldrich's similarly-themed Attack! (1955), Bogart's unstable Queeg is a recognisable figure, an able man who has been unfortunately used passed his breaking point by the Navy and the demands of the war effort. It is a testament to Bogart's skill as an actor that although, at fifty-four, he's far too old for the role (and throughout filming, was battling the cancer that would soon kill him), he commands the screen in his usual fashion.
However, after considering Bogart's contribution to the film, there isn't actually all that much else about it that impresses the viewer. It is one of those movies, like The Searchers, in which the leading actor's performance is streets ahead of all the others in the film. Johnson is largely unmemorable as the sour-faced Maryk (a character significantly softened and made far more conventionally heroic than he was in the original novel), and Fred MacMurray irritates as the sarcastic Lieutenant Keefer (primarily because he isn't objectionable enough throughout the film, so that when the script attempts to paint him as the real 'villain' at the climax, it feels forced). Robert Francis is spectacularly bland as Ensign Keith, the young officer who sides with Maryk, and he's central to the movie's most catastrophic miscalculation, the shoe-horning in of a superfluous romantic angle that has absolutely no bearing on the main story (though this is merely a sub-plot that is repeated from the original novel); his nondescript 'puppy love' scenes with showgirl May Wynn (starlet Donna Lee Hickey got the role and adopted the character's name as her own professional one, and ironically, in the original novel 'May Wynn' is merely the character's stage name) are totally pointless. Jose Ferrer is very good as Lieutenant Greenwald, Maryk's defending counsel, but he only turns up twenty-five minutes from the end, and has a very small amount of screen time for a second-billed actor.
The Caine Mutiny oversimplifies its source material and feels decidedly half-baked; by casting the uninteresting Francis as Keith and telling the story largely from the conflicted Maryk's point of view, it misses the main thrust of the original's narrative (the development of Keith from accident-prone Ensign to competent Naval officer), and instead forces the audience to latch onto Bogart's Queeg as the focal point of the film. Queeg may be eventually proved to be mentally unstable, but he is at least a disciplined military professional, unlike the slovenly and inefficient crew of the Caine; I'm not sure if the viewer is meant to find their initial appearance and lack of respect for authority and regulations endearing, but the fact remains that any sensible members of the audience would not. With this in mind, the very end of the film, in which Keith breathes a sigh of relief when he finds himself again serving under the Caine's original, inefficient Captain, is particularly confusing.
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