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7 of 12 people found the following review helpful:
2.0 out of 5 stars
Underwhelming, 28 Feb 2004
THE POSTMAN ALWAYS RINGS TWICE (1981) serves as a cautionary lesson to anyone who's considering renting or buying a film on the strength of its starring leads, and then proceeds to plunk down pounds after asking the rhetorical question, "With that cast, how bad can it be?"Jack Nicholson is drifter Frank Chambers, who washes up in a rural roadhouse run by Nick Papadakis (John Colicos) and his too young (for him) wife, Cora (Jessica Lange). The time is the 1930s, and the place somewhere in the coastal mountains between Los Angeles and San Francisco. After Chambers is employed by Nick as a mechanic in the outpost's garage, Frank and Cora soon ignite a spark of mutual lust that eventually spreads into a conflagration of betrayal, attempted murder, murder, violent sex, insurance company venality, blackmail, and bad driving. There's a good story here somewhere, so how did it go so badly wrong? Most damaging, there's no likable character for the audience to champion. Nicholson's character is as sleazy and vicious as any role he's ever done. Cora, married to an unsuitable older man for reasons we never learn, initially gains some audience compassion, perhaps. But then, after she demonstrates a cold-bloodedness worthy even of Frank, I ceased sympathizing with the character. Of the lot, only Nick is blameless, but he's such an old fool that it's hard to care. The supporting cast is no better. The award for Worst Performance In A Negligible Role (Female) has to go to Anjelica Huston as Madge, a lion tamer and manager of a traveling wild cat show, who sports a goofy accent and hairdo worthy of Natasha (of "Boris and Natasha" on the old Bullwinkle TV series). The same award for a male actor is due William Traylor as Sackett, the Los Angeles DA out to nail our heroic couple. There are only three reasons to view this film. First, if you're a diehard Nicholson fan. I'm not. Second, if you're a diehard Lange fan. I am. But, while she's undeniably gorgeous and indulges in tempestuous sex that would make my Mom blush and fuels my personal fantasies, prurient interest isn't enough to carry the day. Lastly, the scenery surrounding the roadhouse is beautifully pastoral. I haven't seen the 1946 release of THE POSTMAN ALWAYS RINGS TWICE, nor do I intend to because Jessica isn't in it. This 1981 version is over-acted, over-scripted, under-edited, and implausible. It's just silly in a lurid sort of way.
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