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16 of 16 people found the following review helpful:
4.0 out of 5 stars
"Should we change our lives because some idiot wants war?", 22 Sep 2004
Directed by Franco Zeffirelli, who also wrote the screenplay with John Mortimer, this (1999) semi-autobiographical tale revolves around an illegitimate Italian child named Luca, whose wealthy father provides financial support but otherwise ignores him. Taken under the wing of Mary Wallace (Joan Plowright), one of a group of British women who have remained in Italy during the rule of Mussolini, he learns English and enjoys the only stability he has ever known. When Italy allies itself with Germany, his father sends him off to school in Germany, but Luca remains close to "Miss Mary." Lady Hester Random (Maggie Smith), artist Arabella (Judi Dench), and several other expatriots, are all in Mary Wallace's very British social circle. Under Lady Hester's direction, they are insulated, self-satisfied, and exclusive, and regard people like Elsa Morganthau-Strauss, an American parvenu and art-collector (Cher), as beneath them. She mockingly refers to them as the "scorpioni," an opinion shared by Georgie, an American archaeologist (Lily Tomlin). When the fascists threaten their lifestyle, Lady Hester, widow of the former ambassador, has tea with Mussolini, who promises to look after her and her friends personally. When war breaks out, however, promises are broken, and it is up to Luca, back from Germany, to try to help. The level of irony is suggested in the title, as the "scorpioni" refuse to believe that Mussolini's "ungentlemanly" behavior could possibly affect them. Zeffirelli, alternates semi-serious scenes with extravagant, absurd scenes, much like the comic relief of the Shakespearean plays he has also directed, and he casts the film so that each of his stars plays to type--Maggie Smith as the hopelessly snobby aristocrat, Judi Dench as a fey and flighty artiste, Joan Plowright as the sweet and thoughtful grandmotherly sort, Cher as the most extravagant and crass American ever filmed, and Lily Tomlin as the no-nonsense realist who enjoys sticking pins into those who puff themselves up. The roles do not call for subtlety or originality, but it is great fun to watch these screen legends having fun here. The gorgeous scenery, art, and architecture of Tuscany are well filmed by David Watkin, and the tone of the film remains light, focusing on the women and Luca almost exclusively. A satiric tale poking fun at everything from American crassness and British class-consciousness to the absurdities of Mussolini's pretentions, the film virtually ignores fascism's serious realities for the sake of the story line and its humor. Mary Whipple
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