Most Helpful Customer Reviews
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41 of 41 people found the following review helpful:
5.0 out of 5 stars
Easily One of the Finest Films of the 20th Century, 3 Mar 2004
Clocking in at just under four hours with not a scrap of filler, Kurosawa's THE SEVEN SAMURAI is every bit as legendary at its enthusiasts would have you believe.The basic story is extremely simple. In a period of social chaos, a small farming village learns it will once more be attacked by a band of thirty bandits after the harvest. At first the farmers despair, but village elder Gisaku (Kokuten Kodo) recalls that in his childhood a similar village met a similar situation by hiring Samurai to defend them. The villagers accordingly send representatives to the city, where they are able to convince Samurai Kambei Shimada (Takashi Shimura) to undertake the defense. If the plot sounds familiar, it should: Hollywood would translate it into the extremely popular 1960 western THE MAGNIFICENT SEVEN--but fine though that film is, it pales beside THE SEVEN SAMURAI, which effectively turns an action film premise into a character study of the first order and endows the story with both tremendous simplicity and artistry. Much of this is due an extraordinary ensemble cast, which includes the celebrated Toshiro Mifune (who would later appear in Kurosawa's THRONE OF BLOOD and YOJIMBO); above this, however, is Kurosawa's remarkable vision that draws upon the visual motif of the circle. The circle is a powerful presence in SAMURAI. The village is presented as a roughly circular pattern of houses; the farmers meet in circles; in due time the Samurai enter the circle and stand at the center of the circle, directing the defense--and indeed the circle will become the defense, as Shimada works to find means to draw the bandits into the circle and to their doom. The motif will be elaborated: tied to the cycle of seed time, growth time, and harvest; tied to the cycle of life; and ultimately showing the quiet bitterness of life for those who operate outside the circular codes of community: the "Ronin," the Samurai who have no master and no community, and whose lives are not valued by the community except for aid at a moment of crisis. Shot in simple black and white, as much (if not more) a detailed character and culture study as it is an action film, THE SEVEN SAMURAI is extremely simple and yet extremely subtle, and ultimately one of the most powerful films it has been my pleasure to review. The quality of the Criterion DVD transfer is very good, but by no means flawless--although it survives well, the film has not been digitally restored, and artifacts are frequent. There is little in the way of bonus material, but the commentary by Michael Jeck is quite fine. Strongly recommended. GFT, Amazon Reviewer
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26 of 26 people found the following review helpful:
5.0 out of 5 stars
Unmissable, 25 Oct 2006
This is one of a small handful of films that transcend the label 'classic' and are essential.
Seven samurais influences are many and varied like so much else that Kurosawa directed. A seemingly simple tale of a roaming band of masterless samurai find fulfilment and destiny when they agree to protect a defenceless village that is being raided by a ruthless band of marauders.
Kurosawa pulled out all the stops as the action builds to a monumental and iconic final showdown fought in pouring rain.
Criterion have already released this earier in their catalogue. It contained the best available print of the film and a fine commentary by film expert Michael Jeck.
That commentary is included once again here, ( a wise move as it's a good one), along with an all new commentary by a group of film historians.Along with the commentaies there are 2 documentaries looking at the making of the film and it's influences that include much input from all involved and together last about 90 minutes.
The sound is still mono but coherent and lively. The print however has been mastered again and is superb, black and white this may be but it looks far better than a 52 year old film has any right to.
You get an awful lot for your money over the 3 discs but there is one inclusion that towers above all else here and that is the brilliant interview 'my life in cinema' where Kurosawa talks to interviewer Nagisa Oshima,(a filmaker himself), about his life and the films he has made. This allows the viewer to audience what is simply the best and most fact packed conversation with the great director available. The 2 hours running time is over before you know it.
Add to this a gallery, trailers and an excellent booklet containing essays by Kurosawas favourite lead Toshiro Mifune, Sidney Lumet and Arthur Penn amongst others and this is an unmissable DVD that no collection is complete without.
If you know and love Seven samurai then don't delay this is essential and if you've never seen this or are not a big fan of foreign language films then put your reservations to one side and take the plunge, you will not be disapponted.
If you enjoy this then try 'Yojimbo' and ' Kagemusha' also by Kurosawa and for a fascinating and detailed insight into Kurosawa and Mifune 'The emperor and the wolf' by Stuart Galbraith IV is very well researched and written.
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15 of 15 people found the following review helpful:
5.0 out of 5 stars
Classic Kurosawa, 15 Sep 2006
A village constantly terrorised by bandits enlist the aid of Samurais to help them defend their homes.
Not only is this a tale about honour and heroism, but it is a tale of social divide between Samurai (a status of upmost importance and somewhat royalty) and peasant (base class of Japan). We need to be told that what ever family you were born into, that is the profession you would take upon adulthood. So if you were born to a farmer, it would a farmer's life for you. Born into nobility of a Samurai, than a Samurai you would be.
The relationship betweenthe Samurais hired and the peasants I believe is the focal point of the story. From the peasants absolute gratitude for Samurais who would help them for a pittance to gradual resentment of the Samurai presence in the village.
Despite the age of the film, it is arguably one of the best action films ever made.
Shot in Black & White (come on it was 1954 afterall) and in Japanese (with English subtiles), it doesn't diminish the superiority of the film's story, characters and setting.
The superiority of the film is emphasised even more when it was made into the multibox office hit western "The Magnificent Seven" (although in my eyes "Seven Samurai" is still head and shoulders above this remake).
Kurosawa's work are timely classics. From "Hidden Fortress" to later films like "Kagemusha", Kurosawa's depiction of this almost forgotten world are ones to behold.
Excellent.
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