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21 of 25 people found the following review helpful:
2.0 out of 5 stars
Half witted, 29 Oct 2002
For it's first 6 seasons, Red Dwarf was a comic dream. Four guys (and a senile computer) trapped on a ship in deep space with the human race three million years gone. For two years fabulous writes Grant and Naylor focused on this tension without much sci-fi involvement (notably before Kryten came along), primarily Rimmer and Lister's relationship. From 3 onward, the stories became more outrageous, more sci-fi, and things got a lot more visual. And so we get to Series 7: The most visual yet, the most sci-fi yet, the longest yet... so is it good?Well the first problem is Rob Grant has left. And it seems he has taken half of the talent required with him. For now it is slapstick sci-fi, with little of the dry wit we had before. No, now we're depdant on Kryten's silly expressions and walks, Cat's occasional squeals and Rimmer's smarm for anything resembling laughs. Even Holly was dumped back in Series 6, but only now does it seem to really be taking effect. Okay, so effort is made in Tikka to Ride why Starbug seems so much bigger on the inside than out... but often the stories try to hard to be smart, and stop trying to be quite as funny. The change became REALLY apparent with the departure of Rimmer. With Kochanski came too many forced lines, not enough wit... so before long he was back. But alas, "Blue" isn't here, and he wouldn't return properly until Series 8. No, here we have three episodes from Series 7, extended. Are they, then, any good? No. Possibly the three worst episodes, Tikka to Ride, Ouroborous and Duct Soup are nothing short of tedious. Tikka to Ride at least has an amusing time-travel story, really just abusing the Out of Time story. Ouroborous is the introduction of Chloe Annett's lame Kochanski, and Duct Soup harks back to Series 1/2 claustrophobic humour. It doesn't, however, work this time, as Kryten's irritation value reaches an all time high, and we all cry for the return of Rimmer. Oh, if you haven't seen Stoke Me a Clipper, you won't actually understand where he's gone in Duct Soup. Very clever of the producers to do that, then. The biggest problem, however, is the canned laughter. Or the lack thereof. Yes it's a cheesy device, but it's become a part of Red Dwarf, often accentuating jokes even further and just making them funnier. And here, not only has it been removed, but the post-joke gaps allowed for it have stayed. So after every amusing line comes a silence, a pause for the actors, as they wait for a riotous giggle and get nothing. If anything it just detracts even further from how funny it should all be. So it's the weakest bits of Series 7, even longer and more drawn out than they deserve to be, reminding us that when Red Dwarf lost Rob Grant, Rimmer and Holly, it lost most of itself. I suppose the greatest sadness is that Series 8 lost the plot even further, was even less funny and didn't even have the claustrophobia anymore. So in that, Series 7 at least wins out.
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