Amazon.co.uk Review
There is no other filmmaker remotely like Leni Riefenstahl, which is probably a good thing. The 1936 Berlin Olympic Games, as shown in
Hitler's Olympia, was the prodigiously gifted Riefenstahl's next challenge following her stunning and terrifying documentary of the 1934 Nuremberg rally,
Triumph of the Will. Riefenstahl undertook the task with technical innovations and an unfailing aesthetic eye. The games are of historical interest; Berlin was where the black American runner Jesse Owens dominated his sport, much to Hitler's chagrin. But Riefenstahl's long film (it's often shown in two parts) is more than just a document.
Olympia is also a delirious paean to movement, competition, and the human body. The diving competition becomes less a battle for medals and more a dreamlike series of shapes in mesmerising motion.
While Olympia has often been described as Riefenstahl's hymn to beauty, it is also her hymn to the possibilities of cinema, of the sheer magic of camera angles, rhythm and light. After two years of exhausting editing, the film premiered on April 20, 1938--Hitler's birthday. If only Riefenstahl had turned her back on her Führer, she might be remembered as one of the mightiest directors in film history, instead of the most notorious. As it is, Pauline Kael once described Riefenstahl's Triumph and Olympia as "the two greatest films ever directed by a woman". --Robert Horton
Synopsis
In 1935 Leni Riefenstahl, Germany's leading film director, was commissioned to make a permanent record of the 1936 Olympics in Berlin. Hitler decided this was an opportunity to display Nazi pageantry to the world.
The result is one of the most powerful documentary films of all time.