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Star Trek : Deep Space Nine - Vol. 1 - The Emissary [VHS] [1993]
 
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Star Trek : Deep Space Nine - Vol. 1 - The Emissary [VHS] [1993]

VHS ~ Avery Brooks
4.5 out of 5 stars  See all reviews (2 customer reviews)

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Product Description

Amazon.co.uk Review

From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry's Star Trek universe to create something totally different from its predecessors. That meant no familial camaraderie, squeaky-clean Federation diplomacy, or beige décor. Instead they wanted interpersonal friction, ruthless enemies (Gamma Quadrant Imperialists--The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation's final days. After a muted first reception fans gradually came to accept the new look, but no one liked Star Trek without a starship and eventually the producers capitulated to viewers' wishes by introducing the USS Defiant (an apt name) in Season 3.

Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a ballsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; the Maquis was Starfleet vs Cardassians; section 31 was a secret Starfleet group; the True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White.

Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. --Paul Tonks



Synopsis

A pilot programme in which Star Fleet officers take over the running of a recently abandoned Cardassian space station Deep Space Nine.

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Customer Reviews

2 Reviews
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Average Customer Review
4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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4 of 5 people found the following review helpful:
5.0 out of 5 stars Deep Space Nine - Music From Beyond The Final Frontier, 4 Dec 2000
By A Customer
The Emissary is the pilot episode of the third incarnation of Star Tek - Deep Space Nine. Of all the Star Trek series this show deals with spirtuality more than any other and this is related in the soundtrack in several tracks especialy track 7 'New Personality' the piece of music used to score one of the more Orb experiences felt by the crew. Also track 6 'Cucumbers in Space' is of interest as the orginal idea for the musical entertainment in Quarks Bar, good thing it was only used once! The soundtrack contains the Original opening title music a much slower piece than the one that replaced it from season 4 onwards. For me the best track is 3. 'The Enterpise Departs/A New Home' if only because of the use of the famous Star Trek theme as the Enterprise leaves Deep Space Nine, it is both haunting and uplifting 'this jouney is over another begins' type of thing. All in all one for fans of soundtarcks and Star Trek - Buy it, you will be suprised.
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2 of 4 people found the following review helpful:
4.0 out of 5 stars Enter the new series, 7 Sep 2000
By revgamma@btinternet.com (Tynemouth, Engl.) - See all my reviews
This video sees the start of a brave new Star Trek series. The basic premise is completely different to the previous two incarnations and in time this series proves to be a cornerstone of TV development at the latter end of the century. Normally the first season of a ST series is a bit ... but the first episodes always become classics, and in this case, rightly so.
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