a literal, riveting telling, 2 Mar 2004

By	Alejandra Vernon "artist & illustrator" (Long Beach, California) - See all my reviews

Released forty years ago, the quality of this black and white film is gritty, which adds to the harsh depiction of the life and the landscape. Though much less ambitious, it reminds me a little of Tarkovsky's "Andrei Rublev", and it has the same pacing (especially in the first hour) and gravity. The soundtrack also shows signs of age, and includes Bach, Mozart, Prokofiev, Webern, some American spirituals ("Sometimes I Feel Like a Motherless Child" during the Manger scene), Kol Nidrei during the Last Supper scene, and Missa Luba. There is also a biting wind, whooshing and whistling though much of the film.
This is a literal, marvelous interpretation of St. Matthew's Gospel, which is sometimes simple and sometimes quite savage (the Massacre of the Innocents is chaotic); a must see for anyone interested in Christianity, and students of film and the graphic arts.

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An extraordinary and challenging film, with subtitles., 17 April 2000

Perhaps the film would be viewed by more non-Italian speakers if it was advised that the video has English sub-titles.

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