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6 of 7 people found the following review helpful:
5.0 out of 5 stars
The film that made Marilyn a bonafide superstar, 24 Sep 2003
By the time Gentlemen Prefer Blondes was released in 1953, Marilyn Monroe had already made quite a name for herself with memorable small roles in such films as All About Eve; co-starring roles in such great little comedies as We're Not Married, As Young as You Feel, and Monkey Business; and impressive leading roles in the dramatic thrillers Don't Bother to Knock and Niagara. It conjunction with her prominent role in How to Marry a Millionaire, Gentlemen Prefer Blondes made 1953 the year of Marilyn Monroe and established her as a full-fledged movie star. I love this film for more reasons than I count. For starters, it was the first Marilyn film I ever saw, giving birth to my obsession with The Goddess. More importantly, this film is Marilyn's first musical, and she and her voice acquit themselves very well indeed. The cast is terrific, the humor is genuine and abundant, and Marilyn absolutely steals the show from her brunette counterpart Jane Russell (even though Russell was paid far, far more than Marilyn for her role in the film). Lorelei Lee (Marilyn) and Dorothy Shaw (Jane Russell) are just two little girls from Little Rock, entertainers and best of friends. Lorelei is obsessed with finding a rich husband, and she definitely has Gus Esmond (Tommy Noonan) eating out of her hands; the only problem is that Gus' rich father doesn't approve of her. Thus are plans made for Lorelei to sail to France, where she and Gus will be married after he arrives a short while later. Gus' dad sends a private detective by the name of Ernie Malone (Elliott Reid) along on the journey to spy on Lorelei, and he of course ends up falling in love with Dorothy. Lorelei works her magic on Sir Francis "Piggy" Beekman (played brilliantly by beloved character actor Charles Coburn) leading Esmond (via Malone's report) to call off the wedding and cut Lorelei off financially, and Dorothy and Malone have a falling out once his real identity is discovered. Stuck in Paris without money or a place to stay, Lorelei and Dorothy go back to entertaining, but their troubles don't end there. Things get pretty wild toward the end, but naturally all the major players are reunited in the end. Marilyn is divine as the blonde, acquisitive Lorelei Lee, and it could be said that she was never lovelier than she was in this movie. This "dumb blonde" could be smart when she needed to be, and she dispenses some unforgettable advice and classic lines here. She worries about Dorothy because, unlike her, Dorothy only seems to fall for poor men, and Lorelei tells her that she wants her "to be happy - and stop having fun." Her attempts to set Dorothy up with a rich man on the ship backfire when her chosen Mr. Right ends up being a little boy, but Mr. Henry Spofford III (George Winslow) adds some unforgettable laughs to the mix. Perhaps my favorite line from the film comes when Lorelei is trying to talk "Piggy" into giving her his wife's tiara: "It's a terrible thing to be lonesome, especially in the middle of a crowd." That line has always stuck with me because it really applies so well to Marilyn's own personal life. Gentlemen Prefer Blondes boasts of a number of great songs, barreling right out of the gates with Marilyn and Russell singing A Little Girl From Little Rock. Bye Bye Baby is an impressive and rather elaborate number, Russell's performance of the song Ain't There Anyone Here for Love to the backdrop of the U.S. Olympic team is quite memorable, and the Monroe-Russell number When Love Goes Wrong, Nothing Goes Right is fantastic and really shows Monroe's comfort level with her singing and dancing. All of these pale to the really big number, though. Perhaps only the skirt blowing scene from The Seven Year Itch is more famous than Monroe's knockout performance of the song Diamonds Are a Girl's Best Friend. I don't consider Gentlemen Prefer Blondes to be Marilyn's best movie, but I would recommend it as the starting point to those yet to glimpse the power and beauty of the Goddess. If you want to understand the Marilyn phenomenon, this is where you want to begin because Marilyn is simply mesmerizing from the first frame to the last here. It's actually quite difficult to take your eyes off of Marilyn long enough to fully appreciate this movie for its own sake, so I recommend multiple viewings.
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