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Keep It Like a Secret
~ Built To Spill (Artist)
5.0 out of 5 stars  (2 customer reviews)

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Product details
  • Audio CD (1 Feb 1999)
  • Number of Discs: 1
  • Label: City Slang
  • ASIN: B00003ZA79
  • Average Customer Review: 5.0 out of 5 stars  (2 customer reviews)
  • Amazon.co.uk Sales Rank: 330,589 in Music (See Bestsellers in Music)

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Track Listings

1. Plan
2. Center Of The Universe
3. Carry The Zero
4. Sidewalk
5. Bad Light
6. Time Trap
7. Else
8. You Were Right
9. Temporarily Blind
10. Broken Chairs

Product Description
Amazon.co.uk Review
Most guitar heroes make their mark by doing something extravagant, like playing with their teeth or with their instrument in flames. Doug Martsch of Built To Spill has acquired his guru status by simpler means--he combines his trippy, meandering guitar style with classic pop structures. Martsch also wins points for singing about small-scale moments as well as huge moral abstractions, from watching TV to contemplating the centre of the universe. By subtly balancing the forest of dense guitars with Martsch's oddly prosaic yet uncannily beautiful singing, Built To Spill hold the rare achievement of making music that's rooted yet allows you to fly. "Time Trap" begins with a harp-like guitar line floating above a heavy wave of distortion, drifts into a reggae pattern and eventually rises to the high step of musical theatre. The charming and funny "You Were Right" decides once and for all which of the classic-rock clichés ring true: "You were wrong when you said, 'Everything's going to be all right' / You were right when you said, 'We're all just bricks in the wall.'" It is a richly deserved analysis from alt rock's heroic Everyman. --Lois Maffeo

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Customer Reviews

2 Reviews
5 star: 100%  (2)
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1 of 1 people found the following review helpful:
5.0 out of 5 stars This record has renewed my waning faith in Indie Rock., 25 Jul 2000
By A Customer
This record just roars out of nowhere, rolling and spitting and thundering from the first bar to the last. Sounding like a distillation of all the great white-boy-angst records of the last 15 years it manages to emulate those greats while always sounding like they are the only band in the world, the only sound you've heard. The kind of record you bang on to your mates about, tape it for them and call them every day until they 'get' it. Class.
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