Amazon.co.uk Review
Enigma, the Romanian musician, Michael Cretu and friends will never win any prizes for invention. The music of his fourth album adheres firmly to the blueprint of his other releases: mini-pop symphonies. This is a small-screen scrawl that takes in classical musical samples in the style of Gregorian chants and Wagner-style pomp and circumstance and MOR vocals which recall Celine Dion and Phil Collins, provided by Ruth Ann Boyle of Olive, Cretu's wife, Sandra and Andru Donalds. Bedded down to ambient's lack of beats and coloured by pop's sense of fun, there are no obvious hits on the very smooth and moody,
The Screen Behind the Mirror. However there is a certain guilty pleasure in kicking back after dinner and floating down stream to the almost funky "Push out the Limits" and the bombastic slab of Euro-pop that is "Traces(Light and Weight)". --
Olivia Ferenczi
CD Description
There is a certain other-worldliness to the musical landscapes created by the artist also known as Michael Cretu. With Enigma, he is known for pioneering the synergy of traditional and world music with dance and electronica. Cretu's craftwork could be described as having taken ground broken by Tangerine Dream and adding mystic spirituality.
"The Gate" opens dramatically with a classical-sounding chorus, then sliding into a combination of spoken and hauntingly sung vocals.Disguised as a modern pop song, "Push the Limits" does justthat with powerful orchestration. "Camera Obscura" fuses Renaissance-era chorale with a pulsing dance groove and vocalsthat are played backwards. The results are almost beyond description. Lyrically, THE SCREEN BEHIND THE MIRROR incorporates contradictory metaphors, shadows of Eastern philosophy, and overtones of enlightenment. In a realm of endlessly derivative modern music, Enigma successfully draws upon many cultures and eras for a sound that is above all else, unique.