Set in medieval Japan, Miyazaki's original story envisions a struggle between nature and man. The march of technology, embodied in the dark iron forges of the ambitious Tatara clan, threatens the natural forces explicit in the benevolent Great God of the Forest and the wide-eyed, spectral spirits he protects. When Ashitaka, a young warrior from a remote, and endangered, village clan, kills a ravenous, boar-like monster, he discovers the beast is in fact an infectious "demon god", transformed by human anger. Ashitaka's quest to solve the beast's fatal curse brings him into the midst of human political intrigues as well as the more crucial battle between man and nature.

Miyazaki's convoluted fable is clearly not the stuff of kiddie matinees, nor is the often graphic violence depicted during the battles that ensue. If some younger viewers (or less attentive older ones) will wish for a diagram to sort out the players, Miyazaki's atmospheric world and its lush visual design are reasons enough to watch. For the English-language version, Miramax assembled an impressive vocal cast including Gillian Anderson, Billy Crudup (as Ashitaka), Claire Danes (as San), Minnie Driver (as Lady Eboshi), Billy Bob Thornton, and Jada Pinkett Smith. They bring added nuance to a very different kind of magic kingdom. -- Sam Sutherland, Amazon.com

On the DVD: with an impressive widescreen aspect of 2.35:1 and a pleasant 5.1 Dolby digital sound, you cannot fault the transfer of this animation in any way. However, the special features leave a lot to be desired on what is a classic piece of modern anime. The "Behind the Scenes" feature holds no information on the making of Princess Mononoke in its original form--with no input from animator Hayao Miyazaki--and the trailer is taken from the American release of the movie (even though it calls itself an "original" theatrical trailer), complete with the annoyingly hyped-up voiceover that comes with US film trailers. The redeeming feature of this DVD is the ability to watch the anime in its original language with subtitles, a much more passionate and beautiful form--so much of the feeling and lyricism of the movie is lost with the transfer to English language and misplaced casting. After watching the original Japanese version of Princess Mononoke and reading the book you begin to wonder why the West has become such a solitary child of Disney. --Nikki Disney