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| 1. Warriors |
| 2. Arrival In Vitez |
| 3. Rescue From Sase |
| 4. To Observe, And No More |
| 5. Massacre In Ahmici |
| 6. Herzog |
| 7. Twelve Hours |
| 8. Fire In Vitez |
| 9. A Married Woman |
| 10. Death of Skeeter |
| 11. The Return Home |
| 12. Search For Naser |
| 13. Nothing To Say |
| 14. Booby Trap |
| 15. Just Gangsters |
| 16. Romeo And Juliet |
| 17. Far From Home |
And once again Wiseman has pulled a rabbit out of one of her many hats. By layering ethnic flutes and voices into her score, she adds an otherworldly distance to the music. It relates to the action in its desired sad tone, while avoiding the emotive familiarity of the strings in, for example, her score for Wilde. Her themes are made the more memorable for being presented in these unpredictable formats: A nasal whine will stay with you longer than (an admittedly lovely) piano solo like "Twelve Hours". There's also a favourably miked percussive set that ripples under many of the cues and adds to the geographical dis-association. This is how all TV music should be in conception and result. --Paul Tonks
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