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10 of 14 people found the following review helpful:
3.0 out of 5 stars
For devotess of the Amadeus Quartet or historical recordings, 9 Feb 2004
Being a Beethoven fan since childhood, I have built up my collection slowly over the years, cherishing each purchase as I did so. I've longed to listen to the Beethoven quartets for some time and finally decided to purchase a complete set. I did a bit of research on the web and decided that this collection by the Amadeus Quartet would be the one for me. I am not a technical expert in classical music. I enjoy classical music and know what I like and dislike. I like blues too but can't play guitar like Stevie Ray Vaughan. People who may purchase this box set will most likely be familiar with the music. I wasn't and loved every minute. This is truly great music. Beethoven, in my view, offers the most joyous moments in music as well the most tragic. His music is both simple and complex, relaxing and stimulating. Listening to his quartets for the first time reinforced everything I have come to expect of Beethoven. Seven discs are a lot to take in. I would recommend newcomers to Beethoven's Quartets to take their time. It's easier to talk about practicalities. This box set is wonderfully packaged in a quality box with a summary of contents on the back. Each disk has its own printed glossy cardboard sleeve with extensive info regarding track lists, running times, opus numbers etc. The booklet is well presented as is usual with classical music. There is a brief piece on the Amadeus Quartet and a reasonable amount of info summarising the quartets - standard stuff. I would have preferred more info on the Amadeus Quartet. They were seminal performers and this recording of theirs is generally regarded as one of the best ever complete cycles. The quartets were recorded in stages during the early 1960's. As such, they do not stand up to modern state of the art recordings. This disappointed me. I wanted to have the glory of Beethoven wrapped in a sumptuous wave of audiophile quality. These are period recordings and you can tell. They would have been acceptable in their day, but not now. The sound is brittle and one-dimensional, lacking the depth and warmth of wooden stringed instruments. At times, the higher registers of the lead violin are penetrating and harsh. The cello is barely discernible and only makes its presence felt during bouts of heavy bowing. It is generally difficult to separate the four instruments, thus spoiling a major reason for enjoying such pieces. Recent listening to Radio 3's lunchtime concerts has demonstrated how these string quartets should sound, ignoring individual interpretations. Some discs are better than others, but overall fall well short of modern standards. You need to decide if this would bother you or not. They are not bad recordings, but they are dated. There is still a surprising sense of scale and dynamics. Given the choice again, I would rather have a modern, good quality recording by any reasonable quartet than this one. There are better reviews regarding the technicalities of the Amadeus Quartet that you should read. I have no reason to dispute them. My advice would be to decide if it's more important for you to have a modern recording of good or audiophile quality than one that is a dated gem. Due to the dated sound quality, I have decided to award three stars. Initially, I thought three stars would be inappropriate due to the poor sound quality but after listening to these recordings and enjoying them so much it wouldn't have done justice to the quality of playing. Three stars are well deserved and serve as a warning to those who expect the very best of modern audiophile quality. For devotees of the Amadeus Quartet, or music historians.
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