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5 of 5 people found the following review helpful:
5.0 out of 5 stars
Bleep. Thud. Spish., 10 Feb 2000
Although Kraftwerk continued to make music after 'Computer World' they could easily have retired to live a life of godliness. Already influential amongst the hip-hop and synth-pop crowds alike, 'Computer World' is *the* classic Kraftwerk album, combining the technolust of 'The Man Machine' with arch humour in a minimalist, streamlined package.Certainly, the subsequent 'Electric Cafe', stretched out fewer ideas for longer, and the then-novel use of early sampling technology dated quickly, much more so than the minimalist bleeps and thuds of 'Computer World'. And what bleeps and thuds they are. As timeless as an acoustic guitar, the simple electronic sounds refuse to date, and the music, whilst drawing on soul ('Computer Love') and funk (the title track), is similarly ageless. 'Computer World' presented a fresh new musical language, one which has been adopted by techno acts ever since. Each song, each individual minute, has more invention and innovation than a hundred other albums - 'Numbers' alone mixes hip-hop, Philip Glass' 'Einstein on the Beach', the then-futuristic 'euro-state', the then-novel 'Japanese invasion', whilst also being a great piece of music. Even 'Pocket Calculator' which speaks of a bygone age, a time when such a device was chic, has aged gracefully into near-parody, a slice of the times preserved under glass. In summary, if you only buy one Kraftwerk album, buy this one.
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