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Black Codes (From the Underground)
 
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Black Codes (From the Underground) [Import]

~ Wynton Marsalis
4.0 out of 5 stars  See all reviews (2 customer reviews)

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Product details

  • Audio CD (1 Feb 1994)
  • Number of Discs: 1
  • Format: Import
  • Label: Sony
  • ASIN: B000026ARW
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon.co.uk Sales Rank: 105,259 in Music (See Bestsellers in Music)

    Popular in this category:

    #25 in  Music > Jazz > Mainstream > Trumpet

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1. Black Codes
2. For Wee Folks
3. Delfeayo's Dilemma
4. Phryzzian March
5. Aural Oasis
6. Chambers Of Tain
7. Blues

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Customer Reviews

2 Reviews
5 star:
 (1)
4 star:    (0)
3 star:
 (1)
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Average Customer Review
4.0 out of 5 stars (2 customer reviews)
 
 
 
 
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9 of 10 people found the following review helpful:
5.0 out of 5 stars In years to come, this will be cosidered a classic!, 11 Sep 2000
By A Customer
This was Marsalis' fourth album and, in my view, the one where his great young quintet got everything right.

The playing throughout is superb, full of tension and technique. Jeff Watts, Charnett Moffet and the late, Kenny Kirkland sound the match of the second Miles Davis quintet's rhythmn section, and Wynton proves he is so much more than a Freddie Hubbard soundalike.

As an all-round band performance, the title track is probably the stand-out moment (Kirkland's right-hand playing is incredible), but "Chambers of Tain" and "Phryzzinian Man" are also thrilling.

I don't know why this album wasn't raved about on it's release.... In my view is one of the landmark jazz albums of the last twenty years.

Invest at once!

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2 of 8 people found the following review helpful:
3.0 out of 5 stars Museum Attendant, 10 Jan 2004
By Big A (Bodrum, Turkey) - See all my reviews
This CD is not worth the money. Wynton Marsalis is a consumate musician, but jazz requires more than that. It needs emotion and exploration so that there is interpretation. Wynton Marsalis has to date failed to provide either. Perhaps he should have been a classical musician. As such he would have been able to repeat what is known without adding anything more than the clarity of execution.

In comparison - since the music on this CD is so reminiscent of Miles - listen to Wallace Roney's NO ROOM FOR ARGUMENT. Not great, but much more satisfying as jazz.

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