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Paul Weller
 
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Paul Weller

~ Paul Weller
4.9 out of 5 stars See all reviews (9 customer reviews)
Price: £4.58 & eligible for Free UK delivery on orders over £5 with Super Saver Delivery. See details and conditions
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Paul Weller + Wild Wood + Heavy Soul
Price For All Three: £13.64

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  • This item: Paul Weller ~ Paul Weller

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  • Wild Wood ~ Paul Weller

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Product details

  • Audio CD (15 Dec 2000)
  • Number of Discs: 1
  • Label: Universal / Island
  • ASIN: B000025TE9
  • Other Editions: Audio CD  |  Audio Cassette  |  MP3 Download
  • Average Customer Review: 4.9 out of 5 stars See all reviews (9 customer reviews)
  • Amazon.co.uk Sales Rank: 23,761 in Music (See Bestsellers in Music)

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Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Extraits
Song Title Time Price
Listen  1. Uh Huh Oh Yeh! (Always There To Fool You!) 3:14£0.69
Listen  2. I Didn't Mean To Hurt You 3:26£0.69
Listen  3. Bull-Rush 4:43£0.69
Listen  4. Round & Round 4:25£0.69
Listen  5. Remember How We Started 3:45£0.69
Listen  6. Above The Clouds 4:12£0.69
Listen  7. Clues 4:23£0.69
Listen  8. Into Tomorrow 3:06£0.79
Listen  9. Amongst Butterflies 3:13£0.69
Listen10. The Strange Museum 3:15£0.69
Listen11. Bitterness Rising 3:51£0.59
Listen12. Kosmos11:57Album Only


Product Description

Amazon.co.uk Review
Just two years before the release of Paul Weller the former frontman of The Jam and the Style Council had been written off as a has-been. However, his self-titled solo debut stifled the critics and once again highlighted his importance--and relevance--to the contemporary music scene, especially as this album partly inspired the emerging Britpop sound. Weller's life-long musical influences are overtly obvious, as the album ranges from the psychedelic ("Into Tomorrow", "Clues" and "Bull-Rush") to the blue-eyed soul influences of his Style Council days ("Amongst Butterflies"). The album's material revels in its own simplicity, free from the prosthetic sounds of synthesisers and drum machines, but at the same time highlights Weller's extraordinary musical and songwriting talents. --John Galilee

CD Description
Weller's first solo album is stylistically of a piece with his earlier work with the Style Council, which is to say that there's a '60s soul feel to it but it also reflects his passion for various '60s English bands, primarily Traffic. Soul-flavoured songs like "Remember How We Started" and "Above the Clouds" are virtual tributes to Marvin Gaye and Curtis Mayfield, but the rest of the album tilts, quite attractively, towards a sort of pastoral, psychedelic R&B reminiscent ofTraffic's classic MR. FANTASY.

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Customer Reviews

9 Reviews
5 star:
 (8)
4 star:
 (1)
3 star:    (0)
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Average Customer Review
4.9 out of 5 stars (9 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
8 of 9 people found the following review helpful:
5.0 out of 5 stars Weller in TECHNICOLOUR !!, 17 Feb 2008
I don't know Paul Weller personally but I have noticed that he is a man rarely prone to not knowing exactly what he wants.

It seems that once he has subscribed to a particular idea, the idea becomes an obsession at the cost of virtually everything else. There was once a time (quite a long period of time, actually) when he obsessively hated the idea of `rock music' and steadfastly refused to appear on stage without a full orchestra of keyboard, string, wind and percussion musicians. This idea probably took hold some time in the period between the recording of "Sound Affects" and The Jam's last studio album, "The Gift". It ultimately led to the disintegration of the band at the height of their popularity, for which some people, music critics and fans alike, have never truly forgiven him. (Paul Weller famously quit citing his frustration at the limitations of the guitar-bass-drums format - how ironic is that?).

It also led to five albums (one of which his record company refused to release) featuring a variety of musical styles ranging from Britfunk to northern soul to modern jazz, French ballads to classical music, hip hop to garage house and just about anything in between - just so long as it wasn't `rock music'. You can take your pick from any of those five albums recorded between 1983 and 1989 (or any of The Jam's from 1978 to 1982, post-"The Modern World") and discover plenty of truly great music.

Later on, Paul Weller had another great idea. He fell in love with his guitar again and became a rock musician - the earthy, analogue type that might wear a Marshall Amps T-shirt and reject the kind of `namby-pamby' ideas he had been playing around with in the preceding decade. The instrumentalists were sacked and the guitars were turned up. Out went wedge haircuts and Zeke Manyika and in came Ben Sherman shirts and Noel Gallagher. And that's basically the idea Paul Weller has been exploring in various ways since "Wild Wood", his second solo album from 1994.

But then there is this album which springs from the period between The Style Council's ill-fated experimentation with garage house and the pastoral folk rock of "Wild Wood". How would you bridge that startling divide? Well, this was a period when Paul Weller didn't seem to have a big, all-consuming idea (or maybe he was in-between two of them). The soul-funk-jazz influences are still firmly there but Paul was simultaneously rediscovering his love of sixties pop and psychedelia. He neither scorned digital music nor 'real' instruments. I don't know if this stemmed from his frustration with the latter days of The Style Council or the combined influence of Acid Jazz/Rare Groove and the various indie bands around at the time, which were mixing up dance music rhythms with psychedelic guitar pop (c.f. Stone Roses, The Charlatans).

Either way, as far as I am concerned this is by far the greatest stand-alone album Paul Weller has ever produced - and I include in that his entire recorded output from The Jam onwards. It is an almost perfect pastiche of all those mod influences he had flirted with over the years combined with the kind-of wistful writing style that he mastered on songs such as "Tales From The Riverbank", "Thick As Thieves", "Piccadilly Trail". Producer Brendan Lynch, perhaps slightly influenced by Massive attack, also manages to cook up a wonderfully subtle 'dub' sound that beautifully bridges the gap between analogue and digital. This includes a plethora of samples buried within the music (one of my favourites being Hendrix's "Voodoo Chile" on "Kosmos") and those kind of "Tomorrow Never Knows"-style snatches of reversed music (this overall sound was later stretched to its logical conclusion on the highly acclaimed SXDUB 2000 remix of "Kosmos" which featured as a B-side to "Sunflower"). I have listened to the album hundreds of times over the years and I swear I still hear new things hidden in amongst the various layers of sound. It is also one of those rare albums with which I never skip a track - I love every song and I love the way they sound.

Sadly, the album was panned by the music press and Paul - in his quest for rock authenticity - swiftly moved away from this beautifully textured sound towards the stodgy 'Dadrock' of "Wild Wood" and "Stanley Road (and funnily enough, The Stone Roses did a similar thing at around the same time). It is true that he has had more success than ever during this period but I deeply miss the old Paul Weller. Thankfully, we do have this record of what might have been - and it appears to keep on giving he same pleasure as it gave on the first listen.

And, hey, who knows. Following some distinctly hopeful signs on the last album, "As Is Now", maybe the new album, "22 Dreams" (scheduled for release in June 2008), will recapture the same spirit?
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8 of 9 people found the following review helpful:
5.0 out of 5 stars Quality control, 20 Nov 2004
By P. D. Mcnally "paul28113" (rugby, england) - See all my reviews
(REAL NAME)   
I love this album, personally it is one of my favourite paul weller albums. with the sweeping background vocals and Paul and his band creating a summery feel uplifting album. I usually play this the whole way through without wanting to skip a track!
I would recommended this album to anyone no matter what musical taste as it is a classic.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars "What a refreshing change", 14 Aug 2000
By A Customer
I've been a fan of Paul Weller for years and this is a particular favorite of mine,not only has he inspired a lot of bands today,this is the start of his best material,naturally with outstanding,energetic performances round uk venues. A musical and songwriting genius, a totally cool album.
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Most Recent Customer Reviews

5.0 out of 5 stars The Return Of The Modfather
This has got to be the best Paul Weller album along with Wild Wood and Stanley Road, The Music just grows on you, evrey song has it's meaning and at a resonable price u might... Read more
Published 7 months ago by Mr. Liam J. Cranfield

5.0 out of 5 stars Autumn blew its leaves at me
How did The Style Council go so badly wrong (at the end) when PW still had music like this inside him?

If truth be told, he probably didn't at the end of the 80s. Read more
Published 13 months ago by ModdyBoy67

5.0 out of 5 stars 'the overlooked classic'
paul wellers first solo album was a fantastic return to form after what appeared to be the end of the line for the modfather . Read more
Published 23 months ago by D. S. Sample

5.0 out of 5 stars Wellers best, honest.
This is the connoisseurs Weller album. This is his best. Wildwood and Stanley Road are great, but this is his best. Read more
Published on 26 Oct 2006 by Dr.O

4.0 out of 5 stars Solo debut for the Modfather
One of the finest British songwriters of the last 25-30 years delivered his debut solo slab.
There is a lightness of touch on this album perhaps lacking in some later... Read more
Published on 25 Aug 2006 by Merry Terry

5.0 out of 5 stars pure funk, this album is cool, the real paul weller
probably the best of paul wellers albums, from the funky "i didnt mean to hurt you" to the trance rock of "cosmos" an album that must be owned my any self... Read more
Published on 27 Jun 2000 by dan@solutionmortgages.co.uk

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