Amazon.co.uk Review
Adding pop savvy to their soul-disco mix,
Jamiroquai grabbed the attention of MTV and Top 40 radio and won a Grammy with this platinum-selling album,
Travelling Without Moving. It's a fine record, with warm keyboards, sweet strings, and irrepressible grooves grounding Jay Kay's sublime vocals and fuelling the hits "Virtual Insanity", "Cosmic Girl" and the title track. That voice--elastic, jazzy--is the fire of the band, but immaculate guitar sounds, snappy backup vocals and clever old-school soul samples (Eddie Harris on "Alright", Esther Phillips on "High Times") are the details that create perfection. Balancing the dance-ready, radio-friendly tracks are the ballads "Everyday" and "Spend a Lifetime", the reggae-styled "Drifting Along", and a couple of didjeridoo instrumentals.--
Suzanne McElfresh
CD Description
Hailing from the same neo-R&B scene that spawned Soul II Soul and Brand New Heavies, Jamiroquai continues to filter 1970s soul through a sieve of '90s acid jazz on its third album. Sounding remarkably like Stevie Wonder, singer Jason Kay'sairy vocals float over fat bass lines, disco rhythms and lush strings on "Cosmic Girl". "High Times" takes more of a bottom-heavy, P-Funk-meets-the-EWF-horns approach. Other up-tempo jams include "Use The Force", with its Afro-Cuban beat, and the equally funky, scratch-laden title track.
Jamiroquai's eclectic bag of influences includes reggae (the loping"Drifting Along") and world music. Two instrumentals centreon the otherworldly sounds of a didjeridoo. "Didjerama" is an ambient track that accentuates the instrument's hollow timbre with chirping birds and assorted percussion. "Didjital Vibrations" is quiet-storm music. An unlisted, drum-and-basscollaboration with M-Beat, "Do You Know Where You're ComingFrom", wraps up this vibrant package of Brit-soul.