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Verdi: La Traviata
 
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Verdi: La Traviata [Original recording remastered]

~ Giuseppe Verdi (Composer), Tullio Serafin (Conductor), Rome Opera Chorus (Orchestra), Rome Opera Orchestra (Orchestra), Victoria de los Angeles (Performer), et al.
5.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Performer: Victoria de los Angeles, Carlo del Monte, Mario Sereni, Santa Chissari
  • Orchestra: Rome Opera Chorus, Rome Opera Orchestra
  • Conductor: Tullio Serafin
  • Composer: Giuseppe Verdi
  • Audio CD (21 Sep 1992)
  • SPARS Code: ADD
  • Number of Discs: 2
  • Format: Original recording remastered
  • Label: Classics for Pleasure
  • ASIN: B000025OK4
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 97,782 in Music (See Bestsellers in Music)

    Popular in this category:

    #29 in  Music > Opera & Vocal > Opera > By Title > La traviata

Disc: 1
1. Prld - Orch Of The Opr House, Rome/Tullio Serafin
2. Act I: Dell'invito Trascorsa E Gia L'ora - Chor Of The Opr House, Rome/Giuseppe Conca/Victoria De Los Angeles/Santa Chissari/Silvio Maionica...
3. Act I: Libiamo Ne'lieti Calici - Carlo Del Monte/Victoria De Los Angeles/Santa Chissari/Silvia Bertona/Sergio Tedesco...
4. Act I: Che E Cio? - Santa Chissari/Silvia Bertona/Sergio Tedesco/Victoria De Los Angeles/Carlo Del Monte...
5. Act I: Un Di, Felice, Eterea - Carlo Del Monte/Victoria De Los Angeles
6. Act I: Ebben? Che Diavol Fate? - Sergio Tedesco/Carlo Del Monte/Victoria De Los Angeles
7. Act I: Si Ridesta In Ciel L'aurora - Victoria De Los Angeles/Santa Chissari/Silvia Bertona/Carlo Del Monte/Sergio Tedesco/Vico Polotto...
8. Act I: E Strano! E Strano! - Victoria De Los Angeles
9. Act I: Ah Fors'e Lui - Victoria De Los Angeles
10. Act I: Follie! Follie! Delirio Vano E Questo! - Victoria De Los Angeles/Carlo Del Monte
See all 22 tracks on this disc
Disc: 2
1. Act II, Scene I: Ah, Vive Sol Quel Core - Carlo Del Monte/Renato Ercolani/Mario Sereni
2. Act II, Scene I: Di Provenza El Mar, Il Suol - Carlo Del Monte/Renato Ercolani/Mario Sereni
3. Act II, Scene I: Ne Rispondi D'un Padre All'affetto?/No, Non Udrai Rimproberi - Carlo Del Monte/Renato Ercolani/Mario Sereni
4. Act II, Scene II: Avrem Lieta De Maschere - Santa Chissari/Silvio Maionica/Ronaldo Giaiottti
5. Act II, Scene II: Noi Siamo Zingarelle - Chor Of The Opr House, Rome/Giuseppe Conca/Santa Chissari/Silvio Maionica
6. Act II, Scene II: Di Madride Noi Siam Mattadori - Sergio Tedesco/Chor Of The Opr House, Rome/Giuseppe Conca
7. Act II, Scene II: Alfredo! Voi! - Carlo Del Monte/Santa Chissari/Victoria De Los Angeles/Vico Polotto/Sergio Tedesco
8. Act II, Scene II: Invitato A Qui Seguirmi - Victoria De Los Angeles/Carlo Del Monte/Santa Chissari/Silvia Bertona/Mario Sereni/Sergio Tedesco...
9. Act II, Scene II: Ogni Suo Aver Tal Femmina - Carlo Del Monte/Victoria De Los Angeles/Santa Chissari/Silvia Bertona/Mario Sereni/Sergio Tedesco...
10. Act II, Scene II: Di Sprezzo Degno Se Stesso Rende - Mario Sereni/Carlo Del Monte/Vico Polotto/Victoria De Los Angeles
See all 20 tracks on this disc


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5.0 out of 5 stars (1 customer review)
 
 
 
 
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27 of 28 people found the following review helpful:
5.0 out of 5 stars A memorable recording of a Verdi masterpiece., 24 Dec 2003
By John Austin "austinjr@bigpond.net.au" (Kangaroo Ground, Australia) - See all my reviews
(TOP 50 REVIEWER)    (REAL NAME)      
Being one of the most frequently performed and recorded operas, La Traviata could well feature several times in the collections of opera enthusiasts. This version of it came into my collection recently, at an absurdly cheap price, and I have happily listed to it many times.

In charge is veteran conductor Tullio Serafin, who leads off with a First Act Prelude that is the best I have ever heard. Victoria de los Angeles is soon heard amid the partying in Act One. She is not at her best here, somehow unable to be convincing as the accepted leader of what might be called the Paris “drop out set”. She is better a little later when teasing Alfredo. The frantic coloratura at the end of Act One requires her to produce high notes that are beyond her range, but this is effective nevertheless in suggesting Violetta’s wild resolve to live beyond her capabilities.

Act Two, always so moving in actual performance, presents the long confrontation between Violetta and Georgio Germont. The singing here is so glorious as to rob the scene of its dramatic tension. How could a father object to his son’s choice of companion when she sings like an angel? The singing of Mario Sereni, as Germont Senior, it must be said, is even better.

Act Three in this performance is not the most successful. The wonderful finale doesn’t quite deliver the knock out punch that Verdi packed into it. In Act Four everything goes well, after another beautifully phrased Prelude.

The tenor Carlo del Monte seems more concerned with vocalizing than conveying the conflicting emotions of poor Alfredo Germont. Some of his music is excised in this slightly cut version. The 1959 stereo recording was made in the Rome Opera House, one of my favorite venues for opera recordings. One hears plenty of space around the soloists’ voices, although they are closely miked.

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